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Love, corporality, and eroticism, oscillating in their ethical and aesthetic configuration between tradition and modernity, are present throughout the seven decades of poetic production of the Catalan poet Ana María Martínez Sagi (1907-2000). It is so in her pre-war work, Caminos (1929) and Inquietud (1932) and, more prominently, in her work of exile and return to the homeland, on which this paper focuses on. Although Sagi's love poetry demonstrates her complex and contradictory debt to both the Castilian love tradition and modern poetics, it is through her approach to eroticism, the corporality and the subject's identity from where she definitively distances herself from them. She approaches heterodox spaces that destabilize that normative framework in which the critics of her time placed her. In her aesthetics, in her heritage, and worldview, Sagi demonstrates great modernity and relevance as a renovator, since the 1930s, of an alternative intimacy: profoundly queer. [ABSTRACT FROM AUTHOR]

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This paper is concerned with how we can develop a more attentive reading of poeticliterary texts in the context of learning a second language. Starting from the need to develop an attentive look in order to better understand our inner world, the world of the other and the interrelation between both, we propose the use of haiku as a minimal and contained poetry in order to potentialize positive values of attention and care towards the other and its environment. We also outline a didactic device in relation to how to use haiku in the English class based on three poems by the American poet Ezra Pound. It concludes by emphasizing the importance of poetry as a creator of spaces for personal internalization and processes of slow and attentive reading that will result in a better understanding of what is observed, something essential for any education professional. [ABSTRACT FROM AUTHOR]

Between 1905 and 1936 Dezső Kosztolányi wrote continuously for Hungarian newspapers and weeklies: fiction columns, chronicles, short stories, poems, translations, reviews, brief notes on aesthetics, linguistics, and literature. Journalism must be understood in a completely original sense, inevitably since most of Kosztolányi's famous novels were also published as serial novels in magazines and newspapers. The short stories are in keeping with Kosztolányi's aesthetic belief that reality is more unlikely than fiction: "Life is unlikely. Life is bold". In the few lines of the newspaper columns, the language is necessarily clear, the rhythm calculated, the conception resolute. Outside Hungary a little anthology in French was published in the early 2000s, but thousands of these superb short "tales" are available only in Hungarian. Italian readers will find in this paper five pieces translated for the first time into Italian. [ABSTRACT FROM AUTHOR]

The essay aims to examine the links between nationalist literature and political rites in Fascist Italy, by focusing on the poetry of Gabriele D'Annunzio and its exploitation in the aftermath of World War I. As far as the case study of the Alalà formula is concerned, the paper addresses the question of its use in the funerary ceremonies of the Italian Fasces of Combat, as well as its substitution for the national rite of the Appello del caduto, i.e. the 'Roll Call of the Fallen Soldiers' in 1921 by the newborn Fascist National Party. On the basis of Italian newspapers, mainly Il Popolo d'Italia, the journal founded by Mussolini, this study provides specific documentary evidence both for this passage from the Alalà to the Roll Call rite and the related political-funerary literature. [ABSTRACT FROM AUTHOR]

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This article proposes a new theoretical approach to the study of literary symbolism, using Relevance Theory, Lexical Pragmatics, and second-generation cognitive sciences. It argues that the meaning of a literary symbol consists of the tension between a "literal" meaning and an unparaphrasable abstract meaning. Furthermore, it maintains that the literary symbol requires a specific communicative context, called "symbolic reading". This theoretical framework is applied to the analysis of the works of Juan Eduardo Cirlot, with special attention to his permutation poetry. [Extracted from the article]

This paper analyzes some poems by Leonardo Tello Imaina: poet, communicator, journalist, and director of Radio Ucamara (Nauta, Loreto Region, Peru). Tello identifies himself as a member of the Kukama people, and my analysis here departs from a fundamental premise: the importance of the river for the Kukama people. It then bifurcates into two connected axes: on the one hand, the relationships between humans and non-humans and, on the other--borrowing Mario Blaser's definition--the "ontological conflicts". I emphasize how Tello's poetry contributes to the visibilization of Kukama political ontology and, at the same time, to the inclusion of Amazonian indigenous literature in the national literary scenario. [ABSTRACT FROM AUTHOR]

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This paper reports on a manuscript by the Portuguese scholar Francisco Botelho de Moraes e Vasconcelos (1670-1747). In the form of an extensive epistle, dated June 1703, it constitutes a true Ars poetica, in the manner of the well-known Greek and Latin models. This text, that had never been transcribed or studied before, focuses mainly on the epic genre and the principles to be applied to the composition of epic poems. Its content is analyzed here in the light of the classical sources that support and underpin it. [ABSTRACT FROM AUTHOR]

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This article examines the way of expressing the world of sounds in Odyssey, which developes through the lexicon it employs. In this way, we analyze the contexts in which some natural elements are named, as well as their sounds and characteristics, and those of certain physical spaces as they are treated in the poem, with the intention of generating, as much as possible, the universe of sounds that allows to contextualize the poem from an aural point of view. The methodology is based on the linguistic concept of acoustic image that Saussure developed in the late 19th century and follows Schafer's most recent tradition in his 1993 work on soundscape. Winds, sea, storms, palaces and voice will be analyzed in this paper. [ABSTRACT FROM AUTHOR]

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The Uruguayan writer Blanca Luz Brum was an active part of the cultural and socio-political life of different Latin American cities for several decades. However, her ideological estrangement from socialism, as well as her intense love life, earned her disqualification and oblivion. The aim of this paper is to rescue her figure through the analysis of her texts published in the magazine Amauta between 1926 and 1929, taking into account the author's poetics and the role that her poems occupy in the magazine. The study will reveal the double aspect of her poetry: one that is political, gimmicky and has a propagandistic and mobilizing character; and the personal one, which is more complex, deep and reflects the most intimate side of Blanca Luz. [ABSTRACT FROM AUTHOR]

This paper enriches theoretical concepts (such as transitional objects, the objective correlate and deautomatization procedures) with personal experiences from cultural promotion work with children. This public is considered as agents trained to build knowledge, the teacher as a mediator or facilitator of learning, and the book as a meeting point that requires approximations according to the current era. [ABSTRACT FROM AUTHOR]