Search

Copyright of Caravelle: Cahiers du Monde Hispanique et Luso-Bresilien is the property of Presses Universitaires du Mirail and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Canadian Journal of Learning & Technology is the property of Canadian Network for Innovation in Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Recherches Sociographiques is the property of Recherches Sociographiques and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Collected Papers of the Faculty of Law in Split / Zbornik Radova Pravnog Fakulteta u Splitu is the property of Split Faculty of Law and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Intercâmbio is the property of Universidade do Porto, Faculdade de Letras and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Following the publication of the well-known work by Huntington The Clash of Civilizations, the idea of a clash between civilizations has established itself at a global level, also supported by the recent bloody events that have afflicted the political scene. This brief paper intends to offer an interpretation of the concepts of civilization and conflict as forms of representation of reality and alterity. [ABSTRACT FROM AUTHOR]

Copyright of Sciences de l'Education pour l'ere Nouvelle is the property of Universite de Caen and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cahiers Internationaux de Sociologie is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Dialogos (14159945) is the property of Universidade Estadual de Maringa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cahiers des Amériques Latines is the property of Institut des Hautes Etudes de l'Amerique Latine and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Swiss Journal of Sociology / Schweizerische Zeitschrift für Soziologie is the property of Sciendo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue d'Economie Politique is the property of Editions Dalloz Sirrey and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Global Media Journal: Canadian Edition is the property of Global Media Journal: Canadian Edition and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Studii de Ştiintă şi Cultură is the property of Studii de Stiinta si Cultura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Societes is the property of De Boeck Universite and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Autrepart is the property of Presses de Sciences Po and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Our research approaches the historical and cultural relations between Romania and France from the Middle Ages contacts (situated on the boundary between history and legend), till the Modern Age, when these contacts experienced a burgeoning period. Our paper tries to re-construct the image of France and the French people as they have evolved in time in the Romanians' mentality, with specific differences, historically and politically motivated, between Moldavia and Romanian County on one side, and Transylvania on the other side. Without being exhaustive, the research approaches those fields where the interaction between the two cultures prevailed. It also presents the outstanding French profiles that influenced the Romanian culture, and the French as well, trying to explain the causes of the Romanians' „francophilia” and „francophonia” (today, unfortunately, in decline). Our research fully demonstrates, we think, the extent of the historical and cultural relations between the two peoples, of the same Latin kinship. [ABSTRACT FROM AUTHOR]

Our research approaches the historical and cultural relations between Romania and France from the Middle Ages contacts (situated on the boudary between history and legend), till the Modern Age, when these contacts experienced a burgeoning period. Our paper tries to re-construct the image of France and the French people as they have evolved in time in the Romanians' mentality, with specific differences, historically and politically motivated, between Moldavia and Romanian County on one side, and Transylvania on the other side. Without being exhaustive, the research approaches those fields where the interaction between the two cultures prevailed. It also presents the outstanding French profiles that influenced the Romanian culture, and the French as well, trying to explain the causes of the Romanians' "francophilia" and "francophonia" (today, unfortunately, in decline). Our research fully demonstrates, we think, the extent of the historical and cultural relations between the two peoples, of the same Latin kinship. [ABSTRACT FROM AUTHOR]

Our research approaches the historical and cultural relations between Romania and France from the Middle Ages contacts (situated on the boudary between history and legend), till the Modern Age, when these contacts experienced a burgeoning period. Our paper tries to re-construct the image of France and the French people as they have evolved in time in the Romanians' mentality, with specific differences, historically and politically motivated, between Moldavia and Romanian County on one side, and Transylvania on the other side. Without being exhaustive, the research approaches those fields where the interaction between the two cultures prevailed. It also presents the outstanding French profiles that influenced the Romanian culture, and the French as well, trying to explain the causes of the Romanians' "francophilia" and "francophonia" (today, unfortunately, in decline). Our research fully demonstrates, we think, the extent of the historical and cultural relations between the two peoples, of the same Latin kinship. [ABSTRACT FROM AUTHOR]

Manifestations of a transhistorical and geocritical configuration are to be identified in Vormäz and in the work of one of the most typical representatives of the liberal (romantic) generation of intellectuals, i.e. professor Ioan Rusu (1811-1843). The latter taught -- at Ivyceura Episcopale Balaofalvense -- chronology, geography and universal history while also being the author of a very attractive textbook - Icoana pământulni sau Carte de Geografie, I-III, Blaj, 1842-1843 (The Icon of the earth or A geography textbook -- our translation). The present paper aims at a modern and systematic valorization of the pages dedicated to the French geography and history, which are included in three sections of the book - France A. All over B. Topography C. The French Colonies. The discourse of the Blaj professor contains observations and common sense opinions regarding the natural and cultural heritage of the country: the French borders, the general framework of the country, the natural beauties of France, the cultural horizon of its people, the low level of education in some social media, the moral and physical qualities of its inhabitants, the bravery of the French soldiers etc. From the perspective of a multicultural approach and by means of a geocritical perspective, Ioan Knsu's interest for the French culture and history finds its place within the ample and tough process of French culture and civilization penetration into the society of the Romanians in Transylvania. [ABSTRACT FROM AUTHOR]

Copyright of Studii de Ştiintă şi Cultură is the property of Studii de Stiinta si Cultura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Annee Sociologique is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper aims to analyze the theories conceived to support a possible new branch of international public relations. We are discussing concepts like identity, power, culture, visibility, globalization and we are questioning the possibility to combine them in a theoretical framework. We are emphasizing the use and the misuse of such concepts mainly from a sociological perspective, in an attempt to find a proper understanding of the relations between diverse international entities (whether states, corporations or NGOs). [ABSTRACT FROM AUTHOR]

Chinese novelist and film producer, Dai Sijie has been writing his novels in French. The aim of this paper is to highlight the main similarities between Chinese and French cultures in three different novels: Balzac et la petite tailleuse chinoise, Le complexe de Di et Par une nuit où la lune ne s'est pas levée. In all his books, ubiquity has allways been on an ever changing fields, as a result of the fact that the two cultures continuously collide. The novels' main topics refer on one side, to the impact that the books' power has on the reader, and, on the other side, they are the writers' avatar who confessed that « j'ai appartenu à une génération qui pense qu'un livre peut changer la vie ». Dai Sijie's talent reflects in the way in which he approaches terms like Occident and Orient. The whole story is the result of the character's presence, whose names "travel" from one book to another in order to re-emphasise the main topics: education, knowledge that do not know any historical or geographical barriers. [ABSTRACT FROM AUTHOR]

Copyright of Canadian Journal of Learning & Technology is the property of Canadian Network for Innovation in Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In Japan, the spirits separated at death from the body are divided into two categories: benevolent spirits (nigitama) and malevolent spirits (aratama). It is the Japanese belief that neglecting to worship the ancestors' spirits can have evil consequences, while paying due respect to vengeful spirits can turn them into lucky gods. Historically, spirits as ghosts are first mentioned during the Heian period in works such as Nihon Ryöki or Konjaku Monogatari. Later, the word goryo was introduced to designate the spirits of powerful men who died bearing grudges or a desire for revenge and who became ghosts causing epidemics and destruction. The beginning of the Edo period marked the golden age of the kabuki theater, when ghost stories became popular. The development of the Japanese theater went hand in hand with the development of ukiyoe (woodblock prints), as the artists started to create more and more ghost images. This paper focuses on the development of particular ghost motifs and themes, as well as on the evolution of the ghost imagery along centuries in Japanese culture. [ABSTRACT FROM AUTHOR]

Copyright of Studii de Ştiintă şi Cultură is the property of Studii de Stiinta si Cultura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Studii de Ştiintă şi Cultură is the property of Studii de Stiinta si Cultura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Anthropologie et Sociétés is the property of Anthropologie et Societies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Nouvelles Pratiques Sociales is the property of Revue Nouvelles Pratiques Sociales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Autrepart is the property of Presses de Sciences Po and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The paper analyzes the linguistic imaginary and the manner in which it can encompass an aesthetic experience. More specifically, the author focuses on the representations of Latinity in Romanian culture, as in the 19th century poetry was used in order to illustrate the Latin structure of the Romanian language and subjected to statistical analyses meant to determine the percentage of words of Latin origin. Furthermore, during the same period, poems were also used in order to highlight the defining elements associated with Latinity since the classical period: harmony, musicality, order, hierarchy, etc. In a case study applied to an aesthetic interpretation of the Romanian language, D. Cacacostea's L'Expressivité de la langue roumaine (The expressiveness of the Romanian language, 1942), the author seeks to identify the presence and the part played by these elements of Latinity in the generation of aesthetic representations. [ABSTRACT FROM AUTHOR]

The aim of this paper is to show that the existence of the cultural ellipsis in the narrative discourse requires the recovery of the missing elements, the lack of this cognitive process meaning an incomplete interpretation of the text; this recovery must be done by the specialists in literature and linguistics, because the moral ellipsis, the ellipsis in translations and the genesis ellipsis, which are three types of narrative ellipsis in relation with the culture, can be efficiently studied in the professional field. We argue that sometimes a writer can say more implicitly than explicitly and that the interpret could understand more by the recovery of the missing elements on the grounds of the cultural context than by the analysis of the existing elements without taking into consideration the cultural elements. [ABSTRACT FROM AUTHOR]

Copyright of European Review of Applied Psychology is the property of Elsevier B.V. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Recherches Sociographiques is the property of Recherches Sociographiques and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of VertigO is the property of La Revue Electronique en Sciences de l'Environnement VertigO and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Anthropologie et Sociétés is the property of Anthropologie et Societies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revue Anthropologie et Sociétés is the property of Anthropologie et Societies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Recherches Sociographiques is the property of Recherches Sociographiques and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Civilisations is the property of Institut de Sociologie - ULB and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Annee Sociologique is the property of Presses Universitaires de France and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Societes is the property of De Boeck Universite and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Swiss Journal of Sociology / Schweizerische Zeitschrift für Soziologie is the property of Sciendo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article discusses various reports published within the issue which focus on multiculturalism, including one by Richard Münch on the preconditions for a multicultural society and Carmel Camilleri's paper which stresses the distinction between interculturality and multiculturality.