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The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.

In 1979, San Francisco was in turmoil attempting to recover from the assassination of two of its leaders: Mayor George Moscone and Supervisor Harvey Milk. The troubled city was in need of an emotional boost to restore their pride. But as the year drew to a sad close, the city's professional football team, the 49ers, endured its second straight 2–14 season and it, too, was in deep despair. Critics jumped on Eddie DeBartolo Jr., the new owner, along with rookie head coach Bill Walsh. The thirty-year-old DeBartolo, handed the team by his billionaire father, was the league's youngest owner. Walsh had been passed over in Cincinnati when the Bengals made a coaching change. Yet there were promising signs that the 49ers were headed into a new era. The losses were closer. The player draft included an exciting quarterback named Joe Montana. The favorable signs proved prophetic. Over the next decade, the 49ers created a dynasty that was as unique as it was unexpected, winning four Super Bowls. The heroes were Walsh, the coach of speed and detail and long working hours, and Montana, who proved to be the perfect fit for Walsh's fast-paced West Coast offense. In When the 49ers Were Kings, award-winning football writer Gordon Forbes examines how Walsh and DeBartolo assembled one of the greatest teams in pro football history featuring a legendary cast including Montana, Jerry Rice, and Ronnie Lott and unforgettable moments such as Dwight Clark and “The Catch,” a key goal-line stand in their first Super Bowl victory, and the last-minute drive capped by John Taylor's Super Bowl-winning touchdown in Walsh's final game. “The good old days, the days of Camelot,” 49ers executive John McVay called the exciting decade. It was a special time in a very special city when Walsh and DeBartolo made the 49ers kings of San Francisco.

The National Faculty Directory contains the names, departmental affiliations, institutional addresses, and phone numbers of nearly 1 million members of teaching faculties at nearly 4,500 American colleges and universities and 278 Canadian institutions that use instructional materials primarily in English. Updated and verified continuously, it is used by academic, public, and media libraries, and scholarly and research organizations.

Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.