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Referencing more than 40 ancient works as well as 70 books and papers of contemporary scholars, this book opens up the civilization, society, culture and communication of the Tang Dynasty. The Tang period represented unprecedented prosperity in the ancient world. Combining the socio-cultural background of ancient China and academic achievements of modern times, this book presents an intensive and in-depth exploration of the communicative organisations, methods and ideas of that period. The book looks at Tang methods of communication, from the postal delivery system and first newspaper to military communication in times of peace and war. It also considers questions of literature, poetry and public space as well as the impact of folk culture and communication on the Tang Dynasty, and examines the intellectual atmosphere of the time and debates surrounding freedom of speech and thought, positioning the Tang Dynasty as the end of the classic world and the beginning of modern society.

Offering an entirely new approach to understanding China's journalism history, this book covers the Chinese periodical press in the first half of the twentieth century.By focusing on five cases, either occurring in or in relation to the year 1917, this book emphasizes the protean nature of the newspaper and seeks to challenge a press historiography which suggests modern Chinese newspapers were produced and consumed with clear agendas of popularizing enlightenment, modernist, and revolutionary concepts. Instead, this book contends that such a historiography, which is premised on the classification of newspapers along the lines of their functions, overlooks the opaqueness of the Chinese press in the early twentieth century. Analyzing modern Chinese history through the lens of the newspaper, this book presents an interdisciplinary and international approach to studying mass communications. As such, this book will be useful to students and scholars of Chinese history, journalism, and Asian Studies more generally.

Eulogy for Burying a Crane (Yi he ming) is perhaps the most eccentric piece in China's calligraphic canon. Apparently marking the burial of a crane, the large inscription, datable to 514 CE, was once carved into a cliff on Jiaoshan Island in the Yangzi River. Since the discovery of its ruins in the early eleventh century, it has fascinated generations of scholars and calligraphers and been enshrined as a calligraphic masterpiece. Nonetheless, skeptics have questioned the quality of the calligraphy and complained that its fragmentary state and worn characters make assessment of its artistic value impossible. Moreover, historians have trouble fitting it into the storyline of Chinese calligraphy. Such controversies illuminate moments of discontinuity in the history of the art form that complicate the mechanism of canon formation.In this volume, Lei Xue examines previous epigraphic studies and recent archaeological finds to consider the origin of the work in the sixth century and then trace its history after the eleventh century. He suggests that formation of the canon of Chinese calligraphy over two millennia has been an ongoing process embedded in the sociopolitical realities of particular historical moments. This biography of the stone monument Eulogy for Burying a Crane reveals Chinese calligraphy to be a contested field of cultural and political forces that have constantly reconfigured the practice, theory, and historiography of this unique art form.Art History Publication InitiativeA McLellan Book

This series provides a comprehensive history of journalism in China. It chronicles two millennia of journalistic history from the 2nd century BC to the 1990s, and includes coverage of newspapers, periodicals, news agencies, broadcast television, photography, documentary film, journal cartoons, journal education, as well as information about reporters, journalists, and other aspects of journalism. Volume 1 tracks the development of journalism in ancient China, from the Pre-Qin period to the late Qing Dynasty. It also draws a full picture of the early publishing activities of both foreigners and the Chinese in nineteenth century China.