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Why are so many nautical words in Danish the same as in Dutch? Who taught the shipwrights in the Royal Danish Shipyard in Copenhagen to build carvel planked ships? How did the first Danish ships find their way to the riches of the East Indies? These questions and many more are meet in this Ph.D. dissertation, which circles around the maritime relationships between especially the seaward provinces of the Netherlands and the Scandinavian countries. In the early renaissance Dutch maritime technology was imported by the Danish king, who recruited craftsmen and bough ships in the Netherlands and later on the Royal Danish Navy was profoundly influenced by Dutch master shipbuilders and naval officers. But it was not only maritime experts and mariners who travelled to the North, but also ordinary Scandinavian sailors, who migrated the other way and took a part in Dutch shipping to all parts of the world. This labour migration has been known amongst Dutch scholars for some time, but is almost unknown in Scandinavian historical circles. For the first time data from the Amsterdam City archive has made it possible to get closer to the individual sailors, who hailed from the coastal districts of Norway, the Southwest coast of Denmark and for a lesser part the West coast of Sweden and their participation in the Dutch shipping industry has been analysed showing, that they learned important maritime skills onboard. Coming back to Scandinavia these sailors were the backbone of the navies and merchant fleets of the Scandinavian countries especially in the eighteenth century. This study of maritime labour migration will be of interest for scholars of maritime-, migration and technology history but also for anyone, who likes to read about the life's and work of ordinary sailors in the 17th and 18th centuries.

Deze tweedelige bronnenpublicatie betreffende de geschiedenis van de kerk (t.w. de Indische Kerk en het Nederlands Zendelinggenootschap, NZG) en de christenheid in de Midden-Molukken omvat in totaal 332 documenten, ontleend aan archieven in Indonesië, Nederland en Engeland. Deel I (1803-1854) wordt geopend met een historische inleiding en kent een glossarium. Deel II (1854-1900) bevat bijlagen met biografische gegevens van predikanten, hulppredikers, zendelingen en hoofden van bestuur, alsmede tabellen met aantallen en woonplaatsen van de Molukse christenen op Ambon, de Uliassers, Ceram en omliggende eilanden, althans voorzover bekend.De documenten, die waar nodig van aantekeningen zijn voorzien, zijn van de hand van regerings- en bestuursambtenaren, predikanten, zendelingen, schoolmeesters en het NZG-bestuur. De documenten betreffen de meest uiteenlopende zaken, zoals het kerkelijk leven in de Engelse tijd (die eindigde in maart 1817), de verhouding tussen kerk en traditionele religie, de betrekkingen tussen de Indische Kerk, het NZG en de regering die zich altijd intensief met het geloofsleven van de Molukse bevolking heeft ingelaten, de ontwikkeling en vormgeving van het volksonderwijs inclusief de daarbij gebruikte methoden en leermiddelen, het ontstaan van een eigen vorm van vroomheid en de manier waarop kerk en zending daarmee omgingen, het gebruik en de verspreiding van de bijbel, psalm- en gezangboeken, leerredenen en andere kerkelijke teksten, de problemen rondom de Maleise bijbelvertaling, de voor de Molukse kerk- en cultuurgeschiedenis zo belangrijke groep van schoolmeesters-voorgangers, en tot slot de betrekkingen van de kerk en de islam, en, aan het eind der eeuw, die tussen de kerk en de roomse Missie.

Die 4. Auflage des Standardwerks zum Internetrecht berücksichtigt die DSGVO, das Informationssicherheitsrecht, die neue EU-Richtlinie zum Urheberrecht sowie die neue Richtlinie für digitale Inhalte. Neu aufgenommen sind Kapitel zu den Themen Blockchain, LegalTech, künstliche Intelligenz und zum Internet der Dinge. Umfassend ergänzt ist auch die aktuelle Rechtsprechung zum Internetrecht.

Death Rights presents an antiracist critique of British romanticism by deconstructing one of its organizing tropes—the suicidal creative'genius.'Putting texts by Olaudah Equiano, Mary Shelley, John Keats, and others into critical conversation with African American literature, black studies, and feminist theory, Deanna P. Koretsky argues that romanticism is part and parcel of the legal and philosophical discourses underwriting liberal modernity's antiblack foundations. Read in this context, the trope of romantic suicide serves a distinct political function, indexing the limits of liberal subjectivity and (re)inscribing the rights and freedoms promised by liberalism as the exclusive province of white men.The first book-length study of suicide in British romanticism, Death Rights also points to the enduring legacy of romantic ideals in the academy and contemporary culture more broadly. Koretsky challenges scholars working in historically Eurocentric fields to rethink their identification with epistemes rooted in antiblackness. And, through discussions of recent cultural touchstones such as Kurt Cobain's resurgence in hip-hop and Victor LaValle's comic book sequel to Frankenstein, Koretsky provides all readers with a trenchant analysis of how eighteenth-century ideas about suicide continue to routinize antiblackness in the modern world.This book is freely available in an open access edition thanks to the National Endowment for the Humanities Fellowships Open Book Program—a limited competition designed to make outstanding humanities books available to a wide audience. Learn more at the Fellowships Open Book Program website at: https://www.neh.gov/grants/odh/FOBP, and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/1712.

How did news from the East—carried in ship logs and mariners'reports, journals, and correspondence—shape early Americans'understanding of the world as a map of dangerous and incoherent sites?Winner of the John Lyman Book Award by the North American Society for Oceanic HistoryFreed from restrictions of British mercantilism in the years following the War of Independence, Yankee merchants embarked on numerous voyages of commerce and discovery into distant seas. Through the news from the East, carried in mariners'reports, ship logs, journals, and correspondence, Americans at home imagined the world as a map of dangerous and deranged places. This was a world that was profoundly disordered, hobbled by tyranny and oppression or steeped in chaos and anarchy, often deadly, always uncertain, unpredictable, and unstable, yet amenable to American influence. Focusing on four representative arenas—the Ottoman Empire, China, India, and the Great South Sea (collectively, the East Indies, Oceana, and the American continent's Northwest coast)—Eastward of Good Hope recasts the relationship between America and the world by examining the early years of the republic, when its national character was particularly pliable and its foundational posture in the world was forming. Drawing on recent scholarship in global ethnohistory, Dane A. Morrison recounts how reports of cannibal encounters, shipboard massacres, shipwrecks, tropical fever, and other tragedies in distant seas led Americans to imagine each region as a distinct set of threats to their republic. He also demonstrates how the concept of justification through self-doubt allowed for aggressive expansionism and for the foundations of imperialism to develop.Morrison reconsiders American ideas about the world through three questions: How did British Americans imagine the world before independence allowed them to travel'Eastward of Good Hope'? What were the signal encounters that filled the public sphere in their early years of global encounter? And finally, how did Americans'contacts with other peoples inflect their ideas about the world and their place in it? Written in a lively, engaging style, Eastward of Good Hope will appeal to scholars and the general public alike.

Dieses Lehrbuch zum Internetrecht behandelt die Kernbereiche dieser Querschnittsmaterie. Aufgenommen sind alle Themen, die für das juristische Studium und für die Qualifizierung als Fachanwalt in dem dynamischen Rechtsbereich relevant sind. Die Erfahrung des Autors aus der Lehre, der Beteiligung an der Fachanwaltsausbildung als Dozent und Prüfer sowie aus richterlicher Tätigkeit ist in dieses Lehrbuch eingeflossen.

Nick Wolf is a public research specialist for NorthAm Oil Company, but he likes to think of himself as the company storyteller. Nick, who believes in the old-fashioned integrity of the people who run NorthAm, is sent to scout potential oil exploration/drilling sites to assess the political climate. His latest assignment sends him to Hatteras Island, on North Carolina's Outer Banks. Growing up, Nick's grandmother used to whisper the name of the island “like a hissing curse that shouldn't be spoken out loud.” Nick's grandfather was said to have died on Hatteras during World War II, though he was mysteriously claimed as a fallen soldier by both the American and German armies. As soon as he arrives on the island, Nick is the victim of several suspicious accidents and begins receiving cryptic notes that lead him to surprising revelations about his grandfather. In the course of his research for NorthAm, Nick discovers that four families run everything and everyone is somehow connected. Even Julia Royal, the fascinating and frustrating woman who runs the boarding house where Nick is staying, is the granddaughter of perhaps the most powerful patriarch of the four families—Liam Royal, known as The Founder. This mystery/thriller follows two intriguing storylines. Contemporary politics of the Outer Banks, including the always-controversial question of offshore drilling, interweave with the history of German saboteurs during World War II. The book's title—The Dark of the Island—is what the old-timers on Hatteras called a moonless night with no stars. It was on these nights that the “mooncussers and wreckers” would raise a false light on the beach luring an unwary ship's captain to run aground so the locals could row out to the wreck and loot the cargo. In this novel, it's Nick Wolf's destiny to discover what is behind the true “dark of the island.” Philip Gerard is the author of five novels and eight books of nonfiction, including Down the Wild Cape Fear: A River Journey Through the Heart of North Carolina and The Patron Saint of Dreams, winner of the 2012 North American Gold Medal in Essay/Creative Nonfiction from The Independent Publisher.'Greed, regret, deceit, and betrayals drive the mystery, but Gerard's addition of a realistic love story and his literary, often emotionally charged, writing make this a worthwhile read.'—Foreword Reviews

Despite fragmentation, heterogeneity and the continuous pressure of the Ottoman Empire, early modern “divided Hungary” witnessed a surprising cultural flourishing in the sixteenth century, and maintained its common cultural identity in the seventeenth century. This could hardly have been possible without intense exchange with the rest of Europe. This three-volume series about early modern Hungary divided by Ottoman presence approaches themes of exchange of information and knowledge from two perspectives, namely, exchange through traditional channels provided by religious/educational institutions and the system of European study tours (Volume 1 – Study Tours and Intellectual-Religious Relationships), and the less regular channels and improvised networks of political diplomacy (Volume 2 – Diplomacy, Information Flow and Cultural Exchange). A by-product of this exchange of information was the changing image of early modern Hungary and Transylvania, which is presented in the third and in some aspects concluding volume of essays (Volume 3 – The Making and Uses of the Image of Hungary and Transylvania). Unlike earlier approaches to the same questions, these volumes draw an alternative map of early modern Hungary. On this map, the centre-periphery conceptions of European early modern culture are replaced by new narratives written from the perspective of historical actors, and the dominance of Western-Hungarian relationships is kept in balance due to the significance of Hungary's direct neighbours, most importantly the Ottoman Empire.

How is a sense of place created, imagined, and reinterpreted over time? That is the intriguing question addressed in this comprehensive look at the 400-year history of Salem, Massachusetts, and the experiences of fourteen generations of people who lived in a place mythologized in the public imagination by the horrific witch trials and executions of 1692 and 1693. But from its settlement in 1626 to the present, Salem was, and is, much more than this. In this volume, contributors from a variety of fields examine Salem's multiple urban identities: frontier outpost of European civilization, cosmopolitan seaport, gateway to the Far East, refuge for religious diversity, center for education, and of course, “Witch City” tourist attraction.

Tracy Ross never knew her biological father, who died after a brain aneurysm when she was still an infant. So when her mother married Donnie, a gregarious man with an all-wheel-drive jeep and a love of hiking, four-year-old Tracy was ecstatic to have a father figure in her life. A loving and devoted step-father, Donnie introduced Tracy's family to the joys of fishing, deer hunting, camping, and hiking among the most pristine mountains of rural Idaho. Donnie was everything Tracy dreamed a dad would be—protective, brave, and kind. But when his dependence on his eight-year-old daughter's companionship went too far, everything changed. Once Donnie's nighttime visits began, Tracy's childhood became a confusing blend of normal little girl moments and the sickening, secret invasion of her safety. Tormented by this profound betrayal, Tracy struggled to reconcile deeply conflicting feelings about her stepfather: on the one hand, fear and loathing, on the other hand, the love any daughter would have for her father. It was not until she ran away from home as a teenager that her family was forced to confront the abuse—and it tore them apart. At sixteen, realizing that she must take control of her own future, Tracy sent herself to boarding school and began the long slow process of recovery. There, in the woods of Northern Michigan, Tracy felt called back to the natural world she had loved as a child. Over the next twenty years, the mountains and rivers of North America provided Tracy with strength, confidence, comfort, and inspiration. From trekking through the glaciers of Alaska to guiding teenagers through the deserts of Utah, Tracy pushed herself to the physical limit on her way to becoming whole again. Yet, as she came into her own, found love, and even started a family, Tracy realized that in order to truly heal she had to confront her stepfather about the demons from the past haunting them both. The Source of All Things is a stunning, unforgettable story about a wounded daughter, her stepfather, and a mistake that has taken thirty years and thousands of miles of raw wilderness to reconcile. Only Tracy can know if Donnie is forgivable. But one thing is for certain: In no other story of abuse does a survivor have as much strength, compassion, bravery, and spirit as Tracy displays in The Source of All Things

Despite fragmentation, heterogeneity and the continuous pressure of the Ottoman Empire, early modern “divided Hungary” witnessed a surprising cultural flourishing in the sixteenth century, and maintained its common cultural identity in the seventeenth century. This could hardly have been possible without intense exchange with the rest of Europe. This three-volume series about early modern Hungary divided by Ottoman presence approaches themes of exchange of information and knowledge from two perspectives, namely, exchange through traditional channels provided by religious/educational institutions and the system of European study tours (Volume 1 – Study Tours and Intellectual-Religious Relationships), and the less regular channels and improvised networks of political diplomacy (Volume 2 – Diplomacy, Information Flow and Cultural Exchange). A by-product of this exchange of information was the changing image of early modern Hungary and Transylvania, which is presented in the third and in some aspects concluding volume of essays (Volume 3 – The Making and Uses of the Image of Hungary and Transylvania). Unlike earlier approaches to the same questions, these volumes draw an alternative map of early modern Hungary. On this map, the centre-periphery conceptions of European early modern culture are replaced by new narratives written from the perspective of historical actors, and the dominance of Western-Hungarian relationships is kept in balance due to the significance of Hungary's direct neighbours, most importantly the Ottoman Empire.

An award–winning writer delivers a major reckoning with religion, place, and sexuality in the aftermath of 9/11Hailed in The Washington Post as “one of the most eloquent and probing public intellectuals in America,” Richard Rodriguez now considers religious violence worldwide, growing public atheism in the West, and his own mortality.Rodriguez's stylish new memoir—the first book in a decade from the Pulitzer Prize finalist—moves from Jerusalem to Silicon Valley, from Moses to Liberace, from Lance Armstrong to Mother Teresa. Rodriguez is a homosexual who writes with love of the religions of the desert that exclude him. He is a passionate, unorthodox Christian who is always mindful of his relationship to Judaism and Islam because of a shared belief in the God who revealed himself within an ecology of emptiness. And at the center of this book is a consideration of women—their importance to Rodriguez's spiritual formation and their centrality to the future of the desert religions.Only a mind as elastic and refined as Rodriguez's could bind these threads together into this wonderfully complex tapestry.

Urheberrechte sollen die Rechte des Urhebers und die Weiterverarbeitungsrechte schützen. Durch die technische Entwicklung sinken die Kosten für Kopie und Zugriff auf die Werke sowie für ihre Verteilung und Speicherung, während die Kosten zur Durchsetzung von Rechten z. T. sogar gestiegen sind. Das bietet Spielräume für die unentgeltliche und auch unentdeckte Nutzung. Es entsteht die Gefahr, dass Urheber und Vermarkter ihre ökonomischen Grundlagen verlieren, mit negativen Folgen für Kreativität und Vermarktung. Zum anderen gibt es technisch-organisatorische Ansätze, die'Digital Rights Management-Systeme', für eine Dokumentation der Rechtenutzung sowie Inkasso und Kopierschutz. Mit der Veränderung der technisch-organisatorischen Rahmenbedingungen und der anhaltenden Entwicklung von Technologie, Märkten und individuellen Verhaltensweisen ergeben sich fundamentale Fragen, die der Münchner Kreis in seiner Mitgliederkonferenz'Digital Rights Management'mit führenden Experten aus Wissenschaft und Industrie diskutiert hat.

Herman had often walked these streets, eyeing the forest of tall ships, their blackened strakes handsomely curved, masts like crosses, empty of sails... 1841. A young Herman Melville is yet to write Moby Dick. He sets out on a voyage aboard a whaling ship. What happens on that trip will give him enough material for a lifetime of writing. But what of the dark things Melville encounters on his journey, and the illicit relationships he embarks upon that are to torment him once he returns home to his wife Lizzie? All is revealed as Jay Parini lifts the lid on one of the greatest writers of the nineteenth century...

In Seahawk Hunting Rafael Semmes abandons his broken raider, the Sumter, which is penned in by the Federals near Gibraltar. In the meantime, he has the Brits build him a new ship in Liverpool. Called the 290, it is the fastest commercial raider designed for its time, and it is waiting for Semmes in the Azores.After taking command of the ship he sets out seizing and burning whalers at the rate of one a day, sails back across the North Atlantic against the gulf stream where he picks off another dozen merchant ships headed to Europe.Then, after a thwarted attempt to sneak attack New York City, Semmes makes a beeline for Martinique in the Caribbean during the course of which he has to put down a mutiny on board and evade the USS San Jacinto which has come to destroy him. Finally, Semmes makes it to Galveston where he has an epic gun battle with the USS Hatteras.

Description based on print version record.

From the author of the international bestseller The Last Station, a stirring novel about the adventurous life and tragic literary career of Herman Melville. As The Passages of H. M. opens, we see, through the eyes of his long-suffering wife Lizzie, an aging, angry, and drunken Herman Melville wreaking domestic havoc in his unhappy New York home. He is decades past his flourishing career as a writer of bestselling tales of seagoing adventures like Typee and Omoo. His epic but ungainly novel Moby-Dick was meant to make him immortal, but critics scoffed and readers fled. His days are spent trudging the docks of New York as a customs inspector and contemplating his malign literary fate. But within him is stirring, perhaps, one great work yet—the tale of a handsome sailor in the Napoleonic Wars, undone by one moment of uncontrollable rage... Lizzie's chapters alternate with third-person accounts of Melville's crowded life: his shipping off to sea on a merchant vessel as an impoverished young aristocrat; his fateful voyage on a whaling ship; his desertion in the Marquesas Islands and sojourn with cannibals—a great adventure and polymor­phous sexual idyll—and his instant fame as a novelist; his fateful encounter and soul-deep friendship with Nathaniel Hawthorne; and the long years of physical decline and liter­ary obscurity. Jay Parini creates a Melville who is at once sympathetic and maddening, in sync with the vast forces of the universe and hopelessly impractical and abstracted. And one who, in thought and deed, is unambiguously attracted to men—a surmise well supported by the known biographical facts but still sure to cre­ate controversy. Parini penetrates the mind and soul of a liter­ary titan, using the resources of fiction to humanize a giant while illuminating the sources of his matchless creativity.

The New York Times bestselling author of Krakatoa and The Professor and the Madman takes readers on a quirky and charming tour of the last outpost of the British empireOutposts is Simon Winchester's journey to find the vanishing empire, “on which the sun never sets.” In the course of a three-year, 100,000 mile journey—from the chill of the Antarctic to the blue seas of the Caribbean, from the South of Spain and the tip of China to the utterly remote specks in the middle of gale-swept oceans—he discovered such romance and depravity, opulence and despair tht he was inspired to write what may be the last contemporary account of the British empire. Written with Winchester's captivating style and breadth, here are conversations and anecdotes, myths and political analysis, scenery and history—a poignant and colorful record of the lingering beat of what was once the heart of the civilized world.

Armed with curiosity and a desire to piece together the story of the world's only seven-masted schooner, Tom Hall spent several years researching on both sides of the Atlantic, diving on the Lawson wreck and interviewing the relatives of those involved in the rescue efforts. The result of his work is the most complete account of the T. W. Lawson's story, ranging from her building and launch to her fated wreck off the Scilly Isles.

Astronomers believe that a supernova is a massive explosion signaling the death of a star, causing a cosmic recycling of the chemical elements and leaving behind a pulsar, black hole, or nothing at all. In an engaging story of the life cycles of stars, Laurence Marschall tells how early astronomers identified supernovae, and how later scientists came to their current understanding, piecing together observations and historical accounts to form a theory, which was tested by intensive study of SN 1987A, the brightest supernova since 1006. He has revised and updated The Supernova Story to include all the latest developments concerning SN 1987A, which astronomers still watch for possible aftershocks, as well as SN 1993J, the spectacular new event in the cosmic laboratory.

This highly original book investigates the part played by their personal writings in the lives of eight literary women. Can private journals provide information about their authors'public works? Do diaries dramatise the development of an individual literary `voice'? What was the special attraction of the diary form for women, and why has it been so undervalued? Drawing on current feminist critical approaches, Judy Simons explores these and other questions in a stimulating and wide-ranging study of women's diary writing, which revises our entire way of thinking about this traditionally neglected genre and its particular implications for the woman writer.

A pair of autobiographical novels with “a compelling narrative that balances the methedrine horrors with the outcast's romantic search for identity'(Rolling Stone). William S. Burroughs, Jr.—son of the legendary outlaw author of Naked Lunch—often felt he was “cursed from birth.” Following in his father's footstep in tragically uncanny ways, Burroughs chronicled his own experiences in the novels Speed and Kentucky Ham. Each presents a methedrine-inspired odyssey, and a vision of alienated youth at its most raw and uncensored.Speed follows Billy as he hustles for dope and money, crashing in garbage-strewn apartments and guiding a paranoid friend through the perilous city streets. With tough, gritty detachment, he describes the stages of his own drug addiction and physical and emotional deterioration.Kentucky Ham takes him from the squalor of the East Village crash pads to his father's literary hideaway in Tangier, and finally to incarceration at the Federal Narcotics Hospital in Lexington, Kentucky. Through both these autobiographical novels, William S. Burroughs, Jr., tells a story of generational isolation that is as relevant today as when it was first written.