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The second of two volumes dedicated to this little-explored topic continues to gather international perspectives to critically assess how Waldorf education has been perceived and discussed in both public and academic arenas. Both books thereby challenge the historic concept of Waldorf education as an international movement championing “progressive education.”Spanning the period 1987–2004, this second volume focuses on more recent developments in Waldorf education in Japan, Israel, Spain, Poland, Kenya, France, Slovenia, and China. Throughout both books, over 25 leading scholars present 16 case studies spanning 14 countries to discuss the history and perception of Waldorf education in the context of respective school systems and societies. By exploring the ramifi cations of these case studies against the background of existing research, the books offer cutting-edge perspectives and prompts for scholarly debates for this as yet underresearched field.This book will be of interest to researchers, scholars, and postgraduate students in international and comparative education, the theory of education, and the philosophy of education. Policy makers interested in the history of education as well as practicing teachers and school staff at Waldorf education institutions may also benefi t from the volume.

The first of two volumes dedicated to this little-explored topic, this volume gathers international perspectives to critically assess how Waldorf education has been perceived and discussed in both public and academic arenas. The book thereby challenges the historical concept of Waldorf education as an international movement championing “progressive education.”Spanning the period 1919–1955, this first volume looks at countries with a longstanding tradition of Waldorf schools: Germany, The Netherlands, Norway, Switzerland, Austria, and Finland. The second volume, which covers the period 1987–2004, focuses on more recent developments in Japan, Israel, Spain, Poland, Kenya, France, Slovenia, and China. Throughout both books, over 25 leading scholars present 16 case studies spanning 14 countries to discuss the history and perception of Waldorf education in the context of respective school systems and societies. By exploring the ramifications of these case studies against the background of existing research, the books offer cutting-edge perspectives and prompts for scholarly debates for this as-yet under-researched field.This book will be of interest to researchers, scholars, and postgraduate students in international and comparative education, the theory of education, and the philosophy of education. Policy makers interested in the history of education, as well as practicing teachers and school staff at Waldorf education institutions, may also benefit from the volume.

After the dense miasma of the sixties, the seventies hit like a hangover. Idealism took a pounding as cynicism began to pervade western culture. Stagflation, Watergate and a war in Vietnam all weakened faith in government, while environmental disasters and an oil crisis proved there was even more to worry about than a Cold War. A culture of ‘ me'began to replace the hippie ideal of universal love. Yet at the same time, women and the LGBTI+ community stepped forward to actively assert their rights; the digital revolution stirred and the west embarked on a new relationship with China.This tumult saw a remarkable change in music. Rock splintered into dazzling shards as technical innovation propelled experimentation and ushered in the visual spectacles of glam, shock, disco and punk. Pop co-opted elements of classical, jazz, electronic, world and avant-garde music. Folk met electronica. Monumental albums were born: Pink Floyd's Dark Side of the Moon, The Beatles'Let It Be, David Bowie's Heroes, Joni Mitchell's Blue. From Elton John, Led Zeppelin and Yes to Talking Heads, Tangerine Dream and The Clash, no other decade instigated such a gloriously diverse range of musical styles.Brimming with beguiling stories and little-known details, Vinyl Dreams is a fast-paced romp through the musical decade that defined all after. Whether or not you lived through the era, its music has shaped you. From the golden age of rock to the stirrings of the New Romantics, Tony Wellington traces the revolutions that reverberate through to today, showcasing the energy, fervour and enduring legacy of the decade's music.

Quais são as maiores loucuras dos astros? Qual foi o maior show da história? Quem é considerado o maior vocalista do rock? Depois de incessante pesquisa, o editor e colecionador Ângelo Cláudio Alvarez Pinto escreveu uma divertida obra que vai entreter todos aqueles que amam o mais famoso ritmo do mundo. The Beatles, Rolling Stones, Led Zeppelin, Queen, Pink Floyd, The Who, Metallica, The Doors, Iron Maiden, Black Sabbath, Megadeth, Beach Boys, The Mamas & the Papas são algumas das muitas bandas citadas no livro.

Formed in 1964 and still going strong in 2020, The Who are one of the most popular and enduring bands in the history of rock. The legendary debut album My Generation and a string of hit singles paved the way for Live At Leeds, hailed as the best live rock album of all time, and the best-selling Who's Next. Powered by the phenomenal rhythm section of Keith Moon and John Entwistle, they earned a reputation as a premier live act and pioneered festival and arena performances. The rock operas Tommy and Quadrophenia took popular music into uncharted territories and both albums inspired hit films. Despite regular infighting, break ups and the death of two key members, the band continued into the 21st century with the well- received Endless Wire album and original members Roger Daltrey and Pete Townshend stage spectacular live shows to this day. This book examines each one of the band's studio albums, including the Who released in 2019. Tracing the band's long and diverse history, the book also examines non-album tracks as well as compilations, live albums and soundtracks. All this makes this book the most comprehensive guide to The Who yet published, essential reading whether the reader is a diehard fan or someone curious to see what lies beyond Tommy. Geoffrey Feakes is an author and music journalist. His first book The Moody Blues On Track was published in 2019. He has been a writer for the Dutch Progressive Rock Page since 2005 with hundreds of reviews and interviews to his credit. In 2017, his seven-part Symphony To Synths, which explores the relationship between progressive rock and classical music, was published online. His first Who concert was at the Sundown in Edmonton, London in December 1973. He lives in Wakefield, West Yorkshire, UK.

This history of the Who highlights the band's career and cultural impact. Readers learn about the Who's beginnings in Britain, their embodiment of youth subcultures, and the legacy of iconic albums. Engaging text, historic photographs, and sidebars bring the story of the Who to life. Features include a timeline, glossary, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

Through this book, the author shares the nomadology of Alys-we searching for the Ideal School. Fed up with the System, traditional mainstream education directed by neoliberalism and high-stakes testing, Alys travelled to over 180 places of learning/schools in 23 countries that were educating differently. Through performative autoethnographic-we the author shares these embodied experiences in poems, vignettes, journaling and ethnodrama. Alys realised that the Ideal School is an oxymoron and she argues that schools and schooling, even within innovative education, are not the future for learning. By developing the edge-ucation and sharing stories from the ‘gems'that currently exist in places of learning/schools, there is the potentiality and hope for a paradigm shift. The book encourages everyone to become School Tourists themselves. Performing School Tourism is a mediation between creativity, arts, learning and teaching, leading to change as it helps shape the identity of those performing School Tourism and allows them to add these new experiences and understandings of the possibilities for education to the Earth-we, the collective consciousness of the world. Read this book to follow Alys'journey as they share stories and trouble different innovative pedagogies (including Steiner Waldorf, Progressive, Democratic, and Montessori). The reader can choose their own adventure, following the rhizomatic multiple voices of Alys-we.

This book focuses on academic writing and how academics who are experts in their fields can translate their expertise into publishable form. The magnitude and speed of the changes that are transforming the global academic landscape produce an ongoing need for literature that interprets the nature of academic work. This book arises from the background discipline of Education, which is a relatively new university subject that draws on the entire knowledge spectrum from the fine arts to the natural sciences. Each chapter addresses an aspect of the conditions of written academic labour in an age of digital publishing: its nature, how it works, and guidance for successful navigation. This book will provide helpful guidance to graduate students, researchers and teachers in universities and higher education, who are united by the challenges of this new world of academic publishing.

This book offers a comprehensive exploration of Steiner or Waldorf pedagogy and practice in schools. Drawing on key research, it traces the origins of Steiner education from the original Waldorf school and shows how this approach has since been adapted and applied in educational settings around the world. Outlining the educational philosophy of Steiner education, the book considers its unique features, such as its commitment to a pedagogical anthropology that takes the whole developing human being into account – body, mind and spirit – and the developmental approach that arises out of this. It sets out the specific curriculum and teaching approach alongside vignettes of teaching and learning situations adopted in Steiner educational settings to show how the approach works in practice. Offering a critical perspective on this teaching style, Rawson examines the contributions that Steiner education has made in different cultures and looks towards future developments in China and other Asian countries.Considering all aspects of Steiner education, this book is essential reading for anyone wanting to understand the fundamental elements of this approach and its continuing relevance within the educational landscape.

A ÉPICA BIOGRAFIA DO MAIS LOUCO DOS ROCK STARS: KEITH MOON, O LENDÁRIO BATERISTA DO THE WHO. Uma das melhores biografias de rock de todos os tempos. Este livro traça a notável jornada de Keith Moon com uma precisão aguda, de sua infância na classe trabalhadora do noroeste de Londres, passando pelos anos de glória do The Who, até a vida boa na Califórnia e uma morte triste e prematura. Viveu a mil por hora e por isso é reconhecido como um dos personagens mais selvagens do rock. Ao pesquisar uma história hoje distorcida por mitos de depravação e anarquia cômica, Tony Fletcher entrevistou mais de 120 amigos, familiares, companheiros de banda, empresários e afins. O resultado é um retrato pessoal e pungente de um garoto totalmente incorrigível, porém de uma generosidade única, que nunca cresceu, e que mudou as vidas de todos os que o conheceram. O primeiro e único Keith Moon.

In popularising the term ‘speaking truth to power', Michel Foucault established the basis upon which a new ethics can be constructed. This is the thesis that Mark Olssen advances in Constructing Foucault's ethics. Olssen not only ‘speaks truth'to existing moral and ethical theories that have dominated western philosophy since Plato, but also shows how an alternative ethical and moral theory can be established that avoids the pitfalls of postmodern relativism while grounding ethical, moral and political discourse for the present age. Taking the late ‘ethical turn'in the philosopher's thought as its starting point, this ambitious study seeks to construct an ethics beyond anything Foucault ever attempted while remaining consistent with his core postulates. It advances the concept of ‘life continuance', which expresses a normative orientation to the future in terms of the quest for survival and well-being, giving rise to irreducible normative values as part of the discursive order of events. This approach is explored in contrast with a range of other, established systems, from the Kantian to the Marxist, contract ethics and utilitarianism.

Exploring the explosion of the Who onto the international music scene, this heavily illustrated book looks at this furious band as an embodiment of pop art. “Ours is music with built-in hatred,” said Pete Townshend. A Band with Built-In Hate pictures the Who from their inception as the Detours in the mid-sixties to the late-seventies, post-Quadrophenia. It is a story of ambition and anger, glamor and grime, viewed through the prism of pop art and the radical leveling of high and low culture that it brought about—a drama that was aggressively performed by the band. Peter Stanfield lays down a path through the British pop revolution, its attitude, and style, as it was uniquely embodied by the Who: first, under the mentorship of arch-mod Peter Meaden, as they learned their trade in the pubs and halls of suburban London; and then with Kit Lambert and Chris Stamp, two aspiring filmmakers, at the very center of things in Soho. Guided by contemporary commentators—among them, George Melly, Lawrence Alloway, and most conspicuously Nik Cohn—Stanfield describes a band driven by belligerence and delves into what happened when Townshend, Daltrey, Moon, and Entwistle moved from back-room stages to international arenas, from explosive 45s to expansive concept albums. Above all, he tells of how the Who confronted their lost youth as it was echoed in punk.

Unearth a piece of music history with this definitive, no-holds-barred biography of John Entwistle, The Who's legendary bass guitarist. It is an unequivocal fact that in terms of rock bands, The Beatles, The Rolling Stones, and The Who represent Year Zero, the beginning of all things, ground-breakers all. To that incontrovertible end, John Entwistle—The Who's beloved bassist—remains an enigmatic yet undeniably influential figure. However, unlike his fellow musicians, Entwistle has yet to be the subject of a major biography. In the years since his death, his enduring legacy has been carefully guarded by his loved ones, preventing potential biographers from writing the definitive account of his life-until now. For the first time, and with the full cooperation of the Entwistle family, The Ox shines a long overdue light on one of the most important figures in rock history.Drawing on his own notes for his unfinished autobiography, as well as his personal archives and interviews with his family and friends, The Ox gives readers a never-before-seen glimpse into Entwistle's two very distinct poles. On the one hand, he was the rock star incarnate—larger than life, self-obsessed to a fault, and proudly and almost defiantly so. Extravagant with money, he famously shipped vintage American cars across the Atlantic without having so much as a driver's license, built progressively bigger and more grandiose bars into every home he owned, and amassed an extraordinary collection of possessions, from armor and weaponry to his trademark Cuban-heel boots. But beneath this fame and flutter, he was also a man of simple tastes and traditional opinions. He was a devoted father and family man who loved nothing more than to wake up to a full English breakfast or to have a supper of fish, chips, and a pint at his local pub.After his untimely death, many of these stories were shuttered away into the memories of his family and friends. At long last, The Ox introduces us to the man behind the myth—the iconic and inimitable John Entwistle.

Die 70er sind das innovationsfreudigste und folgenreichste Jahrzehnt der Popmusik. So unterschiedliche Genres wie Glam, Punk, Reggae und Metal feiern hier ihren Ursprung, nicht zu vergessen Krautrock, Elektropop, Disco, Prog und sogar Hip-Hop. Ernst Hofacker erzählt die Story dieses einzigartigen Jahrzehnts anhand von zehn exemplarischen Daten. Er entfaltet die popkulturelle Vielschichtigkeit, zeigt auf, wie Trends und ihre Gegenbewegungen entstanden, und verfolgt die gesellschaftlichen Hintergründe und ihr Fortwirken bis heute. Das bunte Porträt einer Zeit, in der noch galt: Sag mir, was du hörst, und ich sag dir, wer du bist!

Questo libro raccoglie una serie di storie, raggruppate per tipologia di'crimine', che raccontano le ultime ore di 50 stelle del rock. Piene di leggende e di eccessi, stravaganti, oltraggiose, sconsiderate e rischiose, le vite delle rockstar sono andate spesso oltre le più sfrenate fantasie tipiche di una sceneggiatura hollywoodiana. Purtroppo, anche le loro morti sono state a volta frutto di circostanze drammatiche, di coincidenze incredibili, di eventi imprevedibili. E, quasi sempre, sono rimaste circondate da un alone di mistero che ha dato vita a mille speculazioni. Scritto come un'noir', in modo originale e appassionato, Amore, morte e Rock'n'Roll presenta retroscena, curiosità, aneddoti e tesi alternative, pur documentando il tutto con puntualità e rigore giornalistici.

The fascinating and revealing autobiography of rock legend Roger Daltrey, lead singer of The Who.'Before the sixties, you were a child and then you were a man. You went to school and then you went to work. That changed. Our generation changed it.'Roger Daltrey is the voice of a generation.That generation was the first to rebel, to step out of the shadows of the Second World War... to invent the concept of the teenager.This is the story from his birth at the height of the Blitz, through tempestuous school days to his expulsion, age 15, for various crimes and misdemeanours within a strict school system. Thanks to Mr Kibblewhite, his authoritarian headmaster, it could all have ended there. The life of a factory worker beckoned.But then came rock and roll. He made his first guitar from factory off-cuts. He formed a band. The band became The Who -- Maximum R&B -- and, by luck and by sheer bloody-mindedness, Roger Daltrey became the frontman of one of the biggest rock bands on the planet.This is the story of My Generation, Tommy and Quadrophenia, of smashed guitars, exploding drums, cars in swimming pools, fights, arrests and redecorated hotel rooms.But it is also the story of how that post-war generation redefined the rules of youth. Out of that, the modern music industry was born -- and it wasn't an easy birth. Money, drugs and youthful exuberance were a dangerous mix. This is as much a story of survival as it is of success.Four years in the making, this is the first time Roger Daltrey has told his story. It is not just his own hilarious and frank account of more than 50 wild years on the road. It is the definitive story of The Who and of the sweeping revolution that was British rock'n'roll.

Exposing trafficking, theft, fraud, and gambling in the major leagues, a founding member of the MLB's Department of Investigations reveals a news-breaking true story of power and corruption. In the wake of 2005's sometimes contentious, sometimes comical congressional hearings on performance-enhancing drugs in baseball and the subsequent Mitchell Report, Major League Baseball established the Department of Investigations (DOI). An internal and autonomous unit, it was created to not only eliminate the use of steroids, but also to rid baseball of any other illegal, unsavory, or unethical activities. The DOI would investigate the dark side of the national pastime--gambling, age and identity fraud, human trafficking, cover-ups, and more--with the singular purpose of cleaning up the game. Eduardo Dominguez Jr. was a founding member of that first DOI team, leaving a stellar career with the Boston Police Department to join four other'supercops'--a group that included a 9/11 hero, a mob-buster, and narcotics experts--keeping watch over Major League Baseball. A decorated detective as well as a member of an FBI task force, Dominguez was initially reluctant to leave his law-enforcement career to work full-time in baseball. He had already seen the game's underbelly when he worked as a resident security agent (RSA) for the Boston Red Sox in 1999 and become wary of the game's commitment to any kind of reform. Only at the persuasion a widely respected NYPD detective tapped to lead the DOI did Dominguez agree to join the unit, which was the first--and last--of its kind in major American sports.'We could clean up this game,'his new boss promised. In Baseball Cop, Dominguez shares the shocking revelations he confronted every day for six years with the DOI and nine as an RSA. He shines a light on the inner workings of the commissioner's office and the complicity of baseball's bosses in dealing with the misdeeds compromising the integrity of the game. Dominguez details the investigations and the obstacles--from the Biogenesis scandal to the perilous trafficking of Cuban players now populating the game to the theft of prospects'signing bonuses by buscones, street agents, and even clubs'employees. He further reveals how the mandates of former senator George Mitchell's report were modified or ignored altogether. Bracing and eye-opening, Baseball Cop is a wake-up call for anyone concerned about America's national pastime.

Exploring the Impact of the Dissertation in Practice significantly contributes to our understanding of the design and impact of the Dissertation in Practice, the capstone of professional practice doctoral programs. Chapter authors are to be commended for sharing with the reader a broad and reflective view of their dissertation journey, and as a consequence give the reader insight into the nature of professional practice doctorate education in the early 21st century. Readers have the opportunity to hear firsthand how the dissertation is changing not only in format but also in the impact it makes in the field. Faculty and program graduates share accounts of their scholarly practice; the problems of practice that they have encountered and addressed in their professional practice; and their evolving role as change agents in their field of practice. In the process, they assist all faculty involved in designing and evaluating professional practice programs by identifying challenges and opportunities for construction of powerful end‐of‐program doctoral work. Individually and collectively chapter authors reflect on their experiences in creating practice‐anchored and intellectually rigorous Dissertation in Practice. The editor, Dr. Valerie A. Storey, has divided the book into two sections. The first focused on reflections of faculty and the second on reflections of program graduates as they describe how the Dissertation in Practice process develops scholarly practitioner graduates capacity to lead systemic reform.

The second in a series by author Richard Houghton, I Was There provides a fan's-eye account of the English rock band The Who. With over 400 fans, friends and colleagues accounts of their memories of seeing, working with and knowing members of one of the greatest live acts ever, this book contains fascinating anecdotes, stories, photographs and memorabilia that have never been published before. From their early years as The High Numbers, playing venues in and around London to the full blown tours with the classic Who line-up of Daltrey, Townshend, Entwistle and Moon promoting their landmark albums such as Tommy, Quadrophenia, Live At Leeds, Who's Next and beyond.

The field of Popular Music Studies is growing, but still lacks some basic reference materials. The Chronology of American Popular Music, 1899-2000 fills this gap by offering a comprehensive overview of the field. It will be a must-own for libraries and individuals interested in this growing field of research.

With an introduction by Pete Townshend, There Is No Substitute is a tribute to The Who's late drummer Keith Moon, compiled by Ian Snowball with the authorisation the Keith Moon Estate and Keith's daughter Amanda De Wolf.The book includes a collection of seen and unseen photographs and contributions from friends and fans of Keith - a diverse cross section of drummers, musicians, fans, writers and people that knew him. The book concentrates on Keith's influence as a drummer and musician and the impact he has had on rock'n'roll, and all reflect the deep affection that his madcap genius inspired in everyone with whom he came into contact.The many interviewees include Kenney Jones, who took over the drum in The Who after Keith's death in 1978, Rick Buckler of The Jam, Don Powell of Slade, Mick Avory of the Kinks, Carl Palmer of ELP, Clem Burke of Blondie and the late Jack Bruce.

Explore 50 years of The Who with stories, photos, memorabilia, and more. Famed music journalist Mat Snow celebrates fifty years of the Who's debut album, My Generation, with this complete illustrated history of the legendary rock band. Loaded with photos, memorabilia, and stories of rock decadence like no other, this book is the ideal visual companion for Who fans all over the world. The Who formed in 1964 with lead singer Roger Daltrey, guitarist Pete Townshend, bassist John Entwhistle, and drummer Keith Moon, and continued on to become one of the best-selling bands of all time. With an in-depth look of the Who's hit albums, including My Generation (1965), A Quick One (1966), The Who Sell Out (1967), Tommy (1969), Who's Next (1971), Quadrophenia (1973), The Who By Numbers (1975), and more, The Who is a must-have addition to any music library.

The 1960s were a period of radical cultural, social, and political upheaval in the United States and around the globe; yet in just three years, between 1969 and 1972, Village Voice'Scenes'columnist, WPLJ FM radio host, and cult figure Howard Smith got to the heart of it all by talking it out—both on and—off the record. As famous as those who passed through the airwaves, Smith encapsulated the end of an era through personal conversations and hard-hitting interviews with Mick Jagger, Frank Zappa, Andy Warhol, Buckminster Fuller, leaders of the feminist movement and the Gay Liberation Front, a NARC agent, John Lennon and Yoko Ono, and scores of other iconic and influential personalities, including musicians, artists, filmmakers, actors, writers, politicians, and social activists, from countercultural luminaries to everyday revolutionaries and everyone in between.The Smith Tapes transcribes, for the first time ever, sixty-one of those recorded sessions, from an archive of more than one hundred fifty reels unearthed after more than forty years. Edited by documentary film writer and director/producer Ezra Bookstein, this book reveals the time capsule that Smith ingeniously captured, and contains raw and unscripted talks that take you right into the midst of a transformative cultural and musical explosion.

Peter Sculthorpe, who died in 2014, remains Australia's best-known composer and is widely held to be the most important creative musical spirit the country has produced. Beautifully written and fastidiously researched, this authorized biography provides an insight into Sculthorpe's formation years: his quest for personal voice, and his arrival – through many creative friendships and collaborations – at a place in the collective heart of the nation. It charts the realization of a youthful vocation to become not merely a composer, but an Australian composer. Graeme Skinner's biography is also a social history, examining Sculthorpe's unique role in the creation of Australian musical modernism in the 1960s – an important era in Australia's cultural evolution.

Da un grande successo radiofonico un libro di culto.575 racconti tratti dalla trasmissione Rock Bazar di Virgin Radio. Una trasmissione di vero culto che ha ormai centinaia di migliaia di fan sparsi in Italia che a gran voce hanno richiesto la pubblicazione di questo libro.Rock Bazar, il programma su Virgin Radio racconta attraverso la voce di Massimo Cotto le storie più strane degli ultimi 60 anni di rock. Racconta gli eccessi, quelli che fanno parte dell'immaginario del rock e che Massimo ha raccolto in tanti anni di lavoro direttamente dalle voci dei protagonisti o da chi a quegli episodi, spesso diventati leggenda, ha assistito.“La domanda – dice Cotto - che ogni lettore ha sulla punta delle labbra è: queste storie sono vere oppure leggenda?” “Difficile nel rock distinguere la realtà dall'invenzione –prosegue - Che importa sapere dove stia la verità?”

Fifty years after Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon made their first ruckus together onstage, the world is still fascinated with its greatest rock-and-roll band. Whether their music is popping up in TV commercials and the various incarnations of CSI or the remaining members are performing at the Super Bowl, the Olympics, or multitudinous charity events, the Who have never faded away. Yet while such artists as the Beatles, Bob Dylan, and Led Zeppelin have been pored over, flipped on their backs, and examined from every imaginable angle, the Who remain somewhat mysterious. Questions persist. Who were their most important influences, and which other bands were their most loyal followers? Did they really create the very first rock opera? What were their most important collaborations, gigs, solo projects, and phases? Where do they stand on politics, religion, and philanthropy? The answers to these questions don't amount to mere trivia but create a clearer portrait of the enigma that is the Who. Whether they were Mods or punk pioneers, rock Wagners, or a gang of guitar-smashing thugs, the Who are a band beyond categorization or comparison, a band that constantly poses new questions – and The Who FAQ digs deep to find the answers.

'A definitive tome for both Who fans and newcomers alike'••••• Q MagazinePete Townshend was once asked how he prepared himself for The Who's violent live performances. His answer? ‘Pretend you're in a war.'For a band as prone to furious infighting as it was notorious for acts of ‘auto-destructive art'this could have served as a motto.Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘I Can't Explain', ‘My Generation'and ‘I Can See For Miles'. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties.From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties.As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘rock opera'was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war.

Christoph Geisselhart, geboren 1963, gründete mit dem Maler Rolf Sieber 1992 die international tätige Künstlergruppe MAN HOI und veröffentlichte 1994 den Roman Die Erben der Sonne. www.manhoi.de

With Chris Trengove and Peter Lawrence In 1967 Peter'Dougal'Butler became a roadie for The Who and their mercurial genius drummer Keith Moon. Soon he would be Moon's personal assistant, chauffeur, and all-purpose wingman. The ride lasted a tumultuous ten years, ending just prior to Moon's untimely death in 1978. Full Moon is Butler's memoir of that ride: essential reading for Who fans, and a masterclass in the mayhem caused by rock'n'roll excess.'The most candid insight into the Who star's life.'Daily Star'Written in a wonderful fast, racy style, Runyonesque and full of good jokes.'Girl About Town'A welcome change from the usual bland rock book reportage... Butler clearly has a deep and lasting affection for Moon.'Andy Gill, NME'Certainly outrageous, sometimes funny, but mostly a sad account of life with a talented neurotic.'Daily Mirror