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250 results on '"Candice Lin"'

1. Candice Lin: paisaje, territorio y fronteras (Candice Lin: Landscape, Territory and Boundaries)

Author

Gabriel Baltodano Román

Subjects
arte contemporáneo, pintura de paisaje, decolonialismo, Candice Lin, contemporary art, landscape painting, Decolonialism, Literature (General), PN1-6790
Abstract

Se analizan los contenidos ideológicos de la acuarela «Nacimiento de una nación» (2008), de Candice Lin. A partir de nociones como territorio, tropo caníbal, tipo botánico tropical y pensamiento fronterizo, se plantea una interpretación de esa paisajística pictórica, en que la artista-activista reflexiona sobre el régimen de representación visual. Mediante diversos procedimientos formales, Lin pone en entredicho preceptos centrales de la mentalidad colonialista, que contrapone a las concepciones indigenistas. Abstract An analysis is provided of the ideological contents of the watercolor “Birth of a Nation” (2008), by Candice Lin. This interpretation of this pictorial landscape is based on notions such as territory, cannibal tropes, tropical botanical types and border thinking. The artist activist reflects here on the regime of visual representation. Using different formal procedures, Lin questions central precepts of the colonialist mentality, in contrast with indigenous conceptions.

Published
2017
Full Text
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3. HINDLEY WANG ON CANDICE LIN

Subjects
Arts, visual and performing
Abstract

The height was my height, I thought. I carefully considered the wooden structure that carved out the center opening. Small pieces of ink drawings were tucked in one comer or [...]

Published
2023

4. Candice Lin: paisaje, territorio y fronteras

Author

Baltodano Román, Gabriel and Baltodano Román, Gabriel

Abstract

Se analizan los contenidos ideológicos de la acuarela «Nacimiento de una nación» (2008), de Candice Lin. A partir de nociones como territorio, tropo caníbal, tipo botánico tropical y pensamiento fronterizo, se plantea una interpretación de esa paisajística pictórica, en que la artista-activista reflexiona sobre el régimen de representación visual. Mediante diversos procedimientos formales, Lin pone en entredicho preceptos centrales de la mentalidad colonialista, que contrapone a las concepciones indigenistas., An analysis is provided of the ideological contents of the watercolor “Birth of a Nation” (2008), by Candice Lin. This interpretation of this pictorial landscape is based on notions such as territory, cannibal tropes, tropical botanical types and border thinking. The artist activist reflects here on the regime of visual representation. Using different formal procedures, Lin questions central precepts of the colonialist mentality, in contrast with indigenous conceptions.

Published
2017

7. This Week in Baton Rouge: open mic comedy, Candice Lin exhibit and more

Author

Watson, Lauren

Subjects
News, opinion and commentary, Sports and fitness
Abstract

Byline: Lauren Watson Monday, Nov. 8 'Fraid Knot Crochet Club | Jones Creek Regional Branch Library Whether you're an experienced crocheter or someone looking to learn, the East Baton Rouge [...]

Published
2021

8. Candice Lin: FRANCOIS GHEBALY

Author

Campbell, Andy

Subjects
Installations (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

Candice Lin FRANCOIS GHEBALY The first room of Candice Lin's solo exhibition at Francois Ghebaly was organized around La Charada China (Tobacco Version), 2019, an altar-like assemblage featuring the prone [...]

Published
2019

10. Candice Lin: The Animal Husband: Talbot Rice Gallery, Edinburgh 16 March to 1 June.

Author

Culpan, Daniel

Subjects
*SCULPTURE exhibitions, *INSTALLATION art exhibitions
Abstract

The article reviews the art exhibition "Candice Lin: The Animal Husband," which features sculptures and video installations by artist Candice Lin, being presented at Talbot Rice Gallery in Edinburgh, Scotland from March 16 to June 1, 2024.

Published
2024

12. Candice Lin.

Author

Seo Hyung Lee, Diana

Subjects
INSTALLATION art exhibitions
Published
2024

17. Hindley Wang on Candice Lin.

Author

Wang, Hindley

Subjects
GHOST stories, VAGINA, DECEPTION, YOUNG workers, GLAZING (Ceramics)
Published
2023

18. The Word for World is Forest

Author

Sofía Córdova, Beatriz Cortez, Candice Lin, Patrick Staff, Allison Smith, Fiona Ball, Naz Cuguoğlu, Chloe Kwiatkowski, Orly Vermes, Elizabeth Pérez Márquez, Gavin Kroeber, Christina Linden, Vivian Sming, Sofía Córdova, Beatriz Cortez, Candice Lin, Patrick Staff, Allison Smith, Fiona Ball, Naz Cuguoğlu, Chloe Kwiatkowski, Orly Vermes, Elizabeth Pérez Márquez, Gavin Kroeber, Christina Linden, and Vivian Sming

Abstract

The Word for World is Forest proposes a future that values conscious symbiosis. It invites the audience to envision an existence of mutual respect, care, and survival. Artists Sofía Córdova, Beatriz Cortez, Candice Lin, Allison Smith, and Patrick Staff provide lenses for viewing time as malleable and circular—constructing a world where the future is, in fact, possible and within reach. This exhibition takes its name from Ursula K. Le Guin’s novella The Word for World is Forest. In the 1972 work, Le Guin imagines a future scenario where humans have created a colony on another planet to exploit the native ..., https://www.librarystack.org/word-for-world-is-forest-the/?ref=unknown

Published
2020

19. My Life as a Lithium Sex Demon

Author

Candice Lin and Candice Lin

Abstract

“And what would we eat? Lizards?” A fiction of love, labor, and exorcism on the factory floor. With images by the author., https://www.librarystack.org/my-life-as-a-lithium-sex-demon/?ref=unknown

Published
2023

21. Candice Lin.

Author

CHAN, DAWN

Subjects
*SOCIAL robots, *LITHIUM cells
Abstract

The article reviews the exhibition "The Lithium Sex Demons in the Factory" at the Canal Projects on Manhattan on December 16, 2023.

Published
2023

22. Candice Lin: Pigs and Poison.

Author

Fite-Wassilak, Chris

Subjects
*ART exhibitions, *ARTS
Abstract

The article reviews the exhibition "Candice Lin: Pigs and Poison" at the Spike Island gallery in Bristol, England from February 5 to May 8, 2022.

Published
2022

23. Candice Lin.

Author

WHITNEY, KAY

Abstract

The article talks about Candice Lin's work which involves equal measures of dark poetry, speculation, fiction, futurism, queerness, and art history. Topics include Lin's work, being rooted in archaeology and biology, has been influenced by theories that challenge dubious theories and ideas surrounding race, gender, and human exceptionalism; and she employs a remarkable array of substances to interrogate the exploitative histories of colonial trade and extractive industries.

Published
2020

24. Toolkit for Cooperative, Collective, & Collaborative Cultural Work

Author

Kimi Hanauer, Lu Zhang, Rebekah Kirkman, Eleni Agapis, Alea Adigweme, Andrea Fraser, Candice Lin, Gabrielle Civil, Kimi Hanauer, Lu Zhang, Rebekah Kirkman, Eleni Agapis, Alea Adigweme, Andrea Fraser, Candice Lin, and Gabrielle Civil

Abstract

The materials in Toolkit for Cooperative, Collective, & Collaborative Cultural Work trace a process we have been working through for over a year with over 25 collaborators, mentors, and friends whom we admire. As we reached the final stages of compiling this project to share and distribute publicly, we suddenly found ourselves within the COVID-19 pandemic, an unprecedented global health crisis that has shaken our community, our process, and every aspect of our lives. In the wake of the pandemic, we are reminded that at the heart of our work lies the understanding that wellbeing, integrity, equity, and care is ..., https://www.librarystack.org/toolkit-for-cooperative-collective-collaborative-cultural-work/?ref=unknown

Published
2020

26. “CANDICE LIN: PIGS AND POISON”.

Author

Campbell, Andy

Subjects
*SCULPTURE exhibitions
Abstract

The article reviews the sculpture exhibition "Candice Lin: Pigs and Poison" that will be held from March 21 to May 31, 2019 at the Guangdong Times Museum in Guangzhou, China that will feature works of Candice Lin.

Published
2020

27. CANDICE LIN.

Author

Florian, Federico

Subjects
INSTALLATION art exhibitions, EXHIBITIONS
Abstract

The article reviews the installation art exhibition "A Body Reduced to Brilliant Colour" at the Gasworks, art gallery in London, England, featuring installation of pumps, glass jars, porcelain filters, plastic tubes, a copper still, and sundry other items by artist Candice Lin.

Published
2017

29. Hyperobjects for Artists

Author

Laura Copelin, Timothy Morton, Peyton Gardner, Brenda Hillman, Ester Partegàs, Kim Stanley Robinson, Heather Davis, TVGOV (TELEVISION GOVERNMENT), Joan Naviyuk Kane, Charles Mary Kubricht, Mark von Schlegell, Jake Loeterman, Olafur Eliasson, Candice Lin, Beatriz Cortez, Lynn Xu, Jennifer Walshe, Timothy Donnelly, Ursula K. Le Guin, Kathelin Gray, Elliott Cost, Laura Copelin, Timothy Morton, Peyton Gardner, Brenda Hillman, Ester Partegàs, Kim Stanley Robinson, Heather Davis, TVGOV (TELEVISION GOVERNMENT), Joan Naviyuk Kane, Charles Mary Kubricht, Mark von Schlegell, Jake Loeterman, Olafur Eliasson, Candice Lin, Beatriz Cortez, Lynn Xu, Jennifer Walshe, Timothy Donnelly, Ursula K. Le Guin, Kathelin Gray, and Elliott Cost

Abstract

A book of theory, essays, stories, and poems released in association with the exhibition Hyperobjects at Ballroom Marfa, which explores the overwhelming scale of today’s ecological crisis., https://www.librarystack.org/hyperobjects-for-artists/?ref=unknown

Published
2018

30. In Practice: Material Deviance

Author

Alexis Wilkinson, Lauren Bakst, Olivia Booth, Kim Brandt, Crystal Z Campbell, Danielle Dean, Ilana Harris-Babou, Jesse Harrod, Candice Lin, Yuri Masnyj, Virginia Lee Montgomery, Kate Newby, Barb Smith, Patrick Staff, Marian Tubbs, Jessica Vaughn, Claudia Brandenburg, Lucy Flint, Alexis Wilkinson, Lauren Bakst, Olivia Booth, Kim Brandt, Crystal Z Campbell, Danielle Dean, Ilana Harris-Babou, Jesse Harrod, Candice Lin, Yuri Masnyj, Virginia Lee Montgomery, Kate Newby, Barb Smith, Patrick Staff, Marian Tubbs, Jessica Vaughn, Claudia Brandenburg, and Lucy Flint

Abstract

The artists included in Material Deviance use the quotidian, unassuming stuff of life and its circulation as a means of engaging larger social and infrastructural processes. They look to irregularities, gaps, residues, and altered states, whether found or enacted, as material traces of latent histories and underlying systems of power to expose the invisible forces of regulation, value, and control. While such systems inevitably shape the movement of bodies and things through the world—from the level of the individual to the social—the works on view reveal the cracks through which deviant modes of being and perceiving can emerge…, https://www.librarystack.org/in-practice-material-deviance/?ref=unknown

Published
2017

31. Bees & Potatoes.

Author

Watlington, Emily

Subjects
ARTISTIC collaboration, BEESWAX, SCULPTURE
Abstract

The article discusses the interspecies artistic collaborations of various artists. Topics explored include the use of beeswax by artist Garnett Puett in his sculptures, the way other species contribute to the works of artists such as Jenna Sutela and Candice Lin, and the art exhibition "Symbionts: Contemporary Artists and the Biosphere" at the MIT List Visual Arts Center which features works of interspecies artists such as Tomás Saraceno and Pierre Huyghe.

Published
2023

34. Candice Lin.

Author

STEFFEN, PATRICK

Abstract

A brief interview with artist Candice Lin is presented in which she comments on various topics including the wild and prolific nature of her work, the relationship between anthropology and her work, and her 2012 project "A Future Ethnography of Power."

Published
2013

35. AROUND THE WORLD.

Subjects
INDIGENOUS art, INSTALLATION art, ASIAN art, ART exhibitions, PERFORMANCE art, MURAL art, RUGS
Abstract

The article highlights nine artists from around the world who are participating in the 24th Biennale of Sydney. The artists come from diverse backgrounds and use various mediums to explore themes such as queer culture, traditional practices, identity, and colonialism. The artworks range from vibrant and playful installations to intricate weavings and thought-provoking paintings. The Biennale provides a platform for these artists to showcase their unique perspectives and contribute to the global art scene. [Extracted from the article]

Published
2024

38. On our selection: Ten critics nominate their cultural highlights for The Monthly Awards 2024.

Author

Crabb, Annabel, Croggon, Alison, Denton, Andrew, Jensen, Erik, Nolan, Michael, Birch, Tony, Smee, Sebastian, Sprague, Quentin, Kaechele, Kirsha, and Chingaipe, Santilla

Subjects
AWARDS
Abstract

The article announces the winners of The Monthly Awards 2024 including Archie Moore for Kith and Kin, Alexis Wright for her literary work Praiseworthy and Honor Freeman for her ceramic art.

Published
2024

39. Candice Lin.

Author

Diehl, Travis

Subjects
*21ST century sculpture, *ART exhibitions, *21ST century video art, *EXHIBITIONS
Abstract

The article reviews the exhibition "It Makes the Patient See Pictures" by artist Candice Lin at François Ghebaly Gallery in Los Angeles, California.

Published
2012

40. GO SEE DO.

Subjects
LGBTQ+ people
Published
2021

41. Exploration of the Historical and Social Significance of One of the First Cinematographic Devices Based on Gender Roles in the Andalusian Environment.

Author

Rodriguez-Cunill, Inmaculada, Martín-Leal, María del Mar, and Domínguez-López, Juan José

Subjects
INTERNET pornography, GENDER role, NEWSPAPER publishing, SPANISH language, BUSINESS names, PATRIARCHY, GAZE
Abstract

In 1914, El Noticiero Sevillano and other Spanish newspapers published a piece about the Cinémhymen, a cinematographic device designed to capture and sell images of prospective wives. This article explores why this advertisement was not considered derogatory and examines the construction of a patriarchy during a time when the term "feminist" was already appearing in the Spanish press. In our methodology, we analyzed the name of the device and the business, both based on the word Hymen, used a bibliographic review of Spanish feminism of those years, and researched the film technology of the time. The Manzano's pyramid of oppression served us in establishing the control operations underlying the advertisement. Our study reveals the patriarchal principles of Cinémhymen, which stigmatized women once they conformed to the expected role. The objectifying gaze present in Cinémhymen provides insight into the progression of patriarchy in a visual world that subjugates women. The camera could see through the female masquerade (as Joan Rivière explained) and explore the "true" body underneath, the very core of the female (or what is considered to be). In some ways, Cinémhymen serves as a precursor to the current subjugation seen in online pornography and represents a distorted evolution of the panopticon principle as applied to women. [ABSTRACT FROM AUTHOR]

Published
2024
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44. SOWING DISCOURSE.

Author

Moon, Kavior

Subjects
PLANTS in art, ANTHROPOCENE Epoch, PHOTOSYNTHESIS, PLANT species
Published
2022

45. Seeping, Rotting, Resting, Weeping.

Author

Turner, Brooks

Abstract

The article reviews the installation art exhibition "Seeping, Rotting, Resting, Weeping" featuring artist Candice Lin at the Walker Art Center in Minneapolis, Minnesota from August 5, 2021 to January 2, 2022.

Published
2021

47. A World Not Meant for Us.

Author

Cortez, Beatriz and Lin, Candice

Abstract

The article presents the text of a conversation between Los Angeles, California-based artist Beatriz Cortez and U.S. sculptor and installation artist Candice Lin. Topics discussed by the two artists include the histories of human eugenics and genocide in relationship to the cultivation of plants, posthuman scales of time and queer matter and violent histories of war, displacement and colonization.

Published
2019

48. In the Wake of Fire: A Conversation with Anna Mayer.

Abstract

The article presents the conversations between the artist Anna Mayer and Poppy Coles and Candice Lin. It discusses the exhibition "Admit, Emit" at Adjunct Positions, the designs referred to textile patterns related with Victorian mourning wear, and exhibition "Fireful of Fear" with ceramic sculptures around the canyons of Malibu, California.

Published
2019

49. Animals and their artists : an exploration of impossible encounters

Author

Atkinson, Elizabeth

Subjects
704.9, W900 Others in Creative Arts and Design
Abstract

This research looks at the representation of animals in artistic practice to interrogate anthropocentric principles. I argue that the individuated and discrete human self – typically white, male, able-bodied and heterosexual – in possession of consciousness, rationality, empathy, a voice, and a face, is open to challenge by nonhuman capacities such as distributed cognition, gender ambiguity, metamorphosis, mimicry and avian speech. In traditional philosophy, animals represent all that is lacking in mankind. However, this dissertation argues that just because we frame ‘the animal’ as a negative term, our binary opposite and everything we are not, does not mean that animals have no meaning in themselves. Rather, animals in their very unknowability, mark the limits of human thinking. I analyse a selection of artistic representations of nonhuman animals which emphasise and experiment with these limits. The artists chosen all work with animals to create spaces where animal meaning takes centre stage and human meaning is side-lined. The marine life documented by Jean Painlevé and the praying mantis who disturbs Roger Caillois establish an erotic, subversive and Surrealist opening. I then shift to more recent exhibition of spiders (Tomás Saraceno) and silkworms (Candice Lin and Kumi Oda), bees and Glofish (Pierre Huyghe), parrots (Jennifer Allora and Guillermo Calzadilla) and ‘the animal within’ – brought to life as our primate kin (Huyghe). Each of these works places their human viewers in new territories and modes of relating to animal others, something increasingly vital in our current context: the rapid extinction of species, ecological collapse and the arrival of climate change at the hands of (some) Anthropos. If we look beyond human language, what wealth of material can be unearthed? By learning more about nonhuman ways of life, how are principles such as anthropocentrism, patriarchy and gender normativity destabilised? I identify examples of human traits amongst animals, positioning other species in unusual alliances with identities typically assumed to be human. But at the same time, I interrogate the superiority of these human traits in comparison to the wealth of abilities other animals have that humans do not, such as the sensuality of spiders, the tactility of octopuses, the metamorphosis of silkworms or the collective organisation of bees. What happens to human subjectivity when faced with these radically other ways of being? When answering these questions, I elevate the status of animals from that of ‘the other’ to individuals mattering in their own right. To establish my argument, I align Derridean deconstruction with Critical Animal Studies theory, including that of Donna J. Haraway and Lynn Turner, as well as the unthought of N. Katherine Hayles and Xenofeminism’s embrace of alienation. I combine this discussion with the lesser known science theories of Jakob von Uexküll on animal Umwelten and Francisco Varela on embodied cognition. I apply a methodology inspired by the porosity and infinite connections of tentacular thinking and entanglement (Haraway) to encompass a range of approaches and positions. I weave animal bodies and knowledges into human bodies and constructions to establish lines of thought, forms and behaviours often overlooked. Through an encounter with these works and the species they exhibit, this thesis establishes a new position where differences are embraced. This is a space of exploration where what humans – with our limited perceptual worlds – cannot and do not want to know materialises.

Published
2020

50. Unravelling the secretions of the silkworm

Author

Atkinson, Elizabeth Eleanor Jacqueline

Abstract

This article will propose how the physical material of the silkworm might unsettle and entice us to consider an alternative means of relating to others. Examining work by the artists Kumi Oda and Candice Lin, this article will search for forms of relationships not based on the appropriation and exploitation of animal difference for the distinction and profit of the human species. Musing over both Haraway’s and Derridean theories, the article will unravel the strangeness of silkworms, mingling more intimately with their physicality in efforts to stitch together a new ontology that accommodates the multiplicity of differences present and in emergence, within both the species of our own, and those of others.

Published
2019
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