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South Writ Large: Stories from the Global South is an anthology of personal essays, articles, poetry, and artwork that explores the culture of the U.S. South and its extensive connections to other regions of the world. The collection is composed of articles published over the past ten years in the online magazine South Writ Large, which examines the changing South in its symbolic and psychological complexity to stimulate conversation about the culture of the South at home and abroad. The anthology's accomplished contributors work in broad-ranging fields: novelist Jill McCorkle; poet Jaki Shelton Green; historians Clay Risen and Malinda Maynor Lowery; journalist and politician W. Hodding Carter III; author and chef Bill Smith; and artists Bo Bartlett and Welmon Sharlhome. The introduction is by novelist Michael Malone and the afterword is by anthropologist Jim Peacock, whose Global South concept inspired South Writ Large Magazine and this anthology.

Since ascending onto the world stage in the 1990s as one of the premier bassists and composers of his generation, William Parker has perpetually toured around the world and released over forty albums as a leader. He is one of the most influential jazz artists alive today. In Universal Tonality historian and critic Cisco Bradley tells the story of Parker's life and music. Drawing on interviews with Parker and his collaborators, Bradley traces Parker's ancestral roots in West Africa via the Carolinas to his childhood in the South Bronx, and illustrates his rise from the 1970s jazz lofts and extended work with pianist Cecil Taylor to the present day. He outlines how Parker's early influences—Ornette Coleman, John Coltrane, Albert Ayler, and writers of the Black Arts Movement—grounded Parker's aesthetic and musical practice in a commitment to community and the struggle for justice and freedom. Throughout, Bradley foregrounds Parker's understanding of music, the role of the artist, and the relationship between art, politics, and social transformation. Intimate and capacious, Universal Tonality is the definitive work on Parker's life and music.

This book is a love letter to the artists, scenes, and sounds defining North Carolina's extraordinary contributions to American popular music. David Menconi spent three decades immersed in the state's music, where traditions run deep but the energy expands in countless directions. Menconi shows how working-class roots and rebellion tie North Carolina's Piedmont blues, jazz, and bluegrass to beach music, rock, hip-hop, and more. From mill towns and mountain coves to college-town clubs and the stage of American Idol, Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk, Step It Up and Go celebrates homegrown music just as essential to the state as barbecue and basketball.Spanning a century of history from the dawn of recorded music to the present, and with sidebars and photos that help reveal the many-splendored glory of North Carolina's sonic landscape, this is a must-read for every music lover.

Killian Shawnessy era arrogante, atraente e milionário. Cara Sinclair fora escolhida para reunir aquele homem tão importante com a avó, que ele não conhecia. Contudo, depois de o localizar, compreendeu que não lhe seria nada fácil desviar os olhos do corpo majestoso de Killian, que suscitava e satisfazia plenamente todos os seus desejos secretos. No entanto, tinha consciência de que o seu amante não estava a pensar em casar com ela, mas numa perigosa missão que jurara cumprir no Cairo. Poderia ela fazê-lo mudar de ideia antes que as suas vidas se separassem para sempre? Uma paixão secreta, um filho ilegítimo, uma fortuna oculta... diverte-te com a revelação destes segredos apaixonantes.

The Mountain District Primitive Baptist Association enfolds churches in four counties in the Blue Ridge Mountains--North Carolina's Ashe and Allegheny counties and Virginia's Grayson and Carroll counties. Primitive Baptists are found throughout the United States and are related to the Strict and Particular Baptists of the United Kingdom. They are Calvinists, adhering to the theologies of John Calvin, John Bunyan, and British theologians such as Henry Philpott. As Calvinists, they teach predestination--that before the creation of the Earth, God chose who would be saved and damned. No one knows who is which and no one can change this destiny. Originally published in 1989, Pilgrims of Paradox is based on extensive fieldwork conducted in the 1980s. Despite what may seem a fatalistic doctrine, Peacock and Tyson show that the Primitive Baptists of this region live vigorous, sturdy lives marked by self-sufficiency and caring for their community. They also inspire others in the area with the beauty of their hymns and'discourses'and by accomplishments bounded by humility.

Singing and Wellbeing provides evidence that the benefits of a melodious voice go far beyond pleasure, and confirms the importance of singing in optimum health. A largely untapped resource in the health care professions, the singing voice offers rewards that are closer than ever to being fully quantified by advances in neuroscience and psychology. For music, pre-med, bioethics, and medical humanities students, this book introduces the types of ongoing research that connect behaviour and brain function with the musical voice.

North CarolinaMyths and Legends explores unusual phenomena, strange events, and mysteries in North Carolina's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in North Carolina history. Read about the Cherokee legend of the Judaculla rock. Try to figure out if Tom Dula, subject of many a local myth and a popular folk song, really did murder his wife. Speculate as to what really caused the Carolina Bays indentations.

The 41st edition of this established reference work offers a wealth of information on the worldwide publishing landscape. It includes more than 1,100,000 publishers'ISBN prefixes from 221 countries and territories. The Geographical Section (volumes 1-5) provides the names of more than 1,000,000 active publishing houses, arranged alphabetically by country, and within country by name. Entries contain the full address including email and URL particulars as well as ISBN prefixes. Publishers can be identified via their ISBN prefixes through the Numerical ISBN Section (volumes 6-7). The eBookPLUS format comprises the content and search criteria of the printed edition and its indices, facilitating complex searches.

In 2015, Bob Dylan said,'I learned lyrics and how to write them from listening to folk songs. And I played them, and I met other people that played them, back when nobody was doing it. Sang nothing but these folk songs, and they gave me the code for everything that's fair game, that everything belongs to everyone.'In Hear My Sad Story, Richard Polenberg describes the historical events that led to the writing of many famous American folk songs that served as touchstones for generations of American musicians, lyricists, and folklorists. Those events, which took place from the early nineteenth to the mid-twentieth centuries, often involved tragic occurrences: murders, sometimes resulting from love affairs gone wrong; desperate acts borne out of poverty and unbearable working conditions; and calamities such as railroad crashes, shipwrecks, and natural disasters. All of Polenberg's account of the songs in the book are grounded in historical fact and illuminate the social history of the times. Reading these tales of sorrow, misfortune, and regret puts us in touch with the dark but terribly familiar side of American history.On Christmas 1895 in St. Louis, an African American man named Lee Shelton, whose nickname was'Stack Lee,'shot and killed William Lyons in a dispute over seventy-five cents and a hat. Shelton was sent to prison until 1911, committed another murder upon his release, and died in a prison hospital in 1912. Even during his lifetime, songs were being written about Shelton, and eventually 450 versions of his story would be recorded. As the song—you may know Shelton as Stagolee or Stagger Lee—was shared and adapted, the emotions of the time were preserved, but the fact that the songs described real people, real lives, often fell by the wayside. Polenberg returns us to the men and women who, in song, became legends. The lyrics serve as valuable historical sources, providing important information about what had happened, why, and what it all meant. More important, they reflect the character of American life and the pathos elicited by the musical memory of these common and troubled lives.

Before the Bible Belt fastened itself across the South, competing factions of evangelicals fought over their faith's future, and a contrarian sect, self-named the Primitive Baptists, made its stand. Joshua Guthman here tells the story of how a band of antimissionary and antirevivalistic Baptists defended Calvinism, America's oldest Protestant creed, from what they feared were the unbridled forces of evangelical greed and power. In their harrowing confessions of faith and in the quavering uncertainty of their singing, Guthman finds the emotional catalyst of the Primitives'early nineteenth-century movement: a searing experience of doubt that motivated believers rather than paralyzed them. But Primitives'old orthodoxies proved startlingly flexible. After the Civil War, African American Primitives elevated a renewed Calvinism coursing with freedom's energies. Tracing the faith into the twentieth century, Guthman demonstrates how a Primitive Baptist spirit, unmoored from its original theological underpinnings, seeped into the music of renowned southern artists such as Roscoe Holcomb and Ralph Stanley, whose'high lonesome sound'appealed to popular audiences searching for meaning in the drift of postwar American life. In an account that weaves together religious, emotional, and musical histories, Strangers Below demonstrates the unlikely but enduring influence of Primitive Baptists on American religious and cultural life.

The sixteen essays in The Larder argue that the study of food does not simply help us understand more about what we eat and the foodways we embrace. The methods and strategies herein help scholars use food and foodways as lenses to examine human experience. The resulting conversations provoke a deeper understanding of our overlapping, historically situated, and evolving cultures and societies.The Larder presents some of the most influential scholars in the discipline today, from established authorities such as Psyche Williams-Forson to emerging thinkers such as Rien T. Fertel, writing on subjects as varied as hunting, farming, and marketing, as well as examining restaurants, iconic dishes, and cookbooks.Editors John T. Edge, Elizabeth Engelhardt, and Ted Ownby bring together essays that demonstrate that food studies scholarship, as practiced in the American South, sets methodological standards for the discipline. The essayists ask questions about gender, race, and ethnicity as they explore issues of identity and authenticity. And they offer new ways to think about material culture, technology, and the business of food.The Larder is not driven by nostalgia. Reading such a collection of essays may not encourage food metaphors. “It's not a feast, not a gumbo, certainly not a home-cooked meal,” Ted Ownby argues in his closing essay. Instead, it's a healthy step in the right direction, taken by the leading scholars in the field.

Exploring American Folk Music: Ethnic, Regional & Vernacular Traditions in the United States reflects the fascinating diversity of regional and grassroots music in the United States. The book covers the diverse strains of American folk music--Latin, Native American, African, French-Canadian, British, and Cajun--and offers a chronology of the development of folk music in the United States. The book is divided into discrete chapters covering topics as seemingly disparate as sacred harp singing, conjunto music, the folk revival, blues, and ballad singing. It is among the few textbooks in American music that recognizes the importance and contributions of Native Americans as well as those who live, sing, and perform music along our borderlands, from the French speaking citizens in northern Vermont to the extensive Hispanic population living north of the Rio Grande River, recognizing and reflecting the increasing importance of the varied Latino traditions that have informed our folk music since the founding of the United States. Another chapter includes detailed information about the roots of hip hop and this new edition features a new chapter on urban folk music, exploring traditions in our cities, with a case study focusing on Washington, D.C. Exploring American Folk Music also introduces you to such important figures in American music as Bob Wills, Lydia Mendoza, Bob Dylan, and Muddy Waters, who helped shape what America sounds like in the 21st century. It also features new sections at the end of each chapter with up-to-date recommendations for'Suggested Listening,''Suggested Reading,'and'Suggested Viewing.'

Florida is blessed with a semitropical climate, beautiful inland areas, and over a thousand miles of warm seas and sandy beaches. And Floridians are every bit as colorful and diverse as the tropical foliage. The interaction between Florida's people and its environment has created distinctive mixes of traditional life unlike those anywhere else in America.Florida's cultural foundation includes Seminoles, Anglo-Celtic Crackers, African Americans, transplanted northerners, and ethnic communities, as well as cultural syntheses developed from the sixteenth through nineteenth centuries in Key West, Tampa, St. Augustine, and Pensacola. In recent decades, the state's population has been strongly impacted by large-scale immigration from Cuba, South America, Central America, the Caribbean, Africa, and Asia. South Florida leads other regions in the development of a contemporary cultural synthesis, but Orlando and Tampa are rapidly evolving. Even sleepy north Florida is experiencing a significant shift.Although several books detail the traditions of specific Florida regions or folk groups, this is the first to provide an overview of Florida folklife. The Florida Folklife Reader brings together essays written by folklorists, anthropologists, and ethnomusicologists on a wide array of topics. The authors examine topics as diverse as regional and ethnic folk groups, occupational folklife, the built environment, musical traditions, rituals, and celebrations.

Now back in print from the New York Times bestselling author of The Last Girls. It was in 1833 or'34 that Moses Bailey brought young Kate Malone down to Cold Spring Holler to be his wife. But Moses, wanting to become a preacher like his daddy was, left Kate time and again to look after the kids while he went out in search of a sign from God. Though he warned them about the evils of playing the fiddle, a kind of music he likened to the devil's own laughter, it passed the time for his bride and children, and soon became not just a way of life for the Baileys, but a curse that would last for generations.

Profiles of artists and performers from around the world form the basis of this innovative volume that explores the many ways individuals engage with, carry on, revive, and create tradition. Leading scholars in folklore studies consider how the field has addressed the relationship between performer and tradition and examine theoretical issues involved in fieldwork and the analysis and dissemination of scholarship in the context of relationships with the performers. These vivid case studies exemplify the b.

Explorations in Cultural Anthropology is a collection of readings chosen to demonstrate the varied and valuable applications of the anthropological perspective to real-world problems on local, regional, and global scales. It introduces undergraduates to the exciting, perplexing, and troubling issues that socio-cultural anthropologists confront in their work in academia and beyond. Students now have a one-stop source for a variety of key ethnographic and cultural materials without having to buy or search for numerous texts. Explorations in Cultural Anthropology offers 31 classic readings and contemporary anthropological essays as well as pieces written by journalists, scholars from other disciplines, cultural consultants, and community leaders. The selections are meant to thoughtfully challenge students and provoke further discussion within introductory-level classrooms. The book is organized into nine parts that reflect significant themes and current trends in cultural anthropology: Culture; Fieldwork and Ethnography; Language, Communication, and Expressive Culture; Socio-economic and Political Systems in a Changing World; Race and Ethnicity; Gender and Sexuality; Marriage, Family, and Kinship; Belief Systems; and Applied and Future Anthropologies. Each part introduces the articles therein and provides probing questions per article for student response. This outstanding collection perfectly complements Luke Eric Lassiter's Invitation to Cultural Anthropology textbook but has wide appeal for all introductory cultural anthropology courses.

The Sacred Harp choral singing tradition originated in the American South in the mid-nineteenth century, spread widely across the country, and continues to thrive today. Sacred Harp isn't performed but participated in, ideally in large gatherings where, as the a cappella singers face each other around a hollow square, the massed voices take on a moving and almost physical power. I Belong to This Band, Hallelujah! is a vivid portrait of several Sacred Harp groups and an insightful exploration of how they manage to maintain a sense of community despite their members'often profound differences. Laura Clawson's research took her to Alabama and Georgia, to Chicago and Minneapolis, and to Hollywood for a Sacred Harp performance at the Academy Awards, a potent symbol of the conflicting forces at play in the twenty-first-century incarnation of this old genre. Clawson finds that in order for Sacred Harp singers to maintain the bond forged by their love of music, they must grapple with a host of difficult issues, including how to maintain the authenticity of their tradition and how to carefully negotiate the tensions created by their disparate cultural, religious, and political beliefs.

Part of our new and growing Mysteries and Legends series, Mysteries and Legends of North Carolina explores unusual phenomena, strange events, and mysteries in North Carolina's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in North Carolina history. Read about the Cherokee legend of the Judaculla rock. Try to figure out if Tom Dula, subject of many a local myth and a popular folk song, really did murder his wife. Speculate as to what really caused the Carolina Bays indentations.

Glenn Hinson focuses on a single gospel program and offers a major contribution to our understanding not just of gospel but of the nature of religious experience.A key feature of African American performance is the layering of performative voices and the constant shifting of performative focus. To capture this layering, Hinson demonstrates how all the parts of the gospel program work together to shape a single whole, joining speech and song, performer and audience, testimony, prayer, preaching, and singing into a seamless and multifaceted service of worship. Personal stories ground the discussion at every turn, while experiential testimony fuels the unfolding arguments. Fire in My Bones is an original exploration of experience and belief in a community of African American Christians, but it is also an exploration of African American aesthetics, the study of belief, and the ethnographic enterprise.