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Vergil: Aeneid 10 is part of a new series of commentaries on the Aeneid. Each volume adapts, with extensive revisions and additions, the commentaries of T. E. Page (1884, 1900) and is edited by a scholar of Roman epic. The present volume offers the Latin text of Book 10 along with extensive notes and commentary designed to meet the needs of intermediate students of Latin.

Considered the greatest Roman poet, Vergil spent over a decade working on this monumental epic poem, which has been a source of literary inspiration and poetic grandeur for more than 2,000 years. Its twelve books tell the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found a new city in the west. This city, Lavinium, was the parent city of Rome.Drawn by divine destiny after the fall of Troy, Aeneas sailed westward toward the land of the Tiber. After many adventures, he and his men were shipwrecked on the shores of Carthage, where Aeneas and Queen Dido fell in love. Reminded of his duty, however, Aeneas sailed on. After visiting his father in the underworld, Aeneas saw the future of the Roman people and their exploits in peace and war. Eventually he arrived in Italy, where he and his men struggled valiantly to secure a foothold for the founding of Rome.Vast in scope, crowded with exciting adventure and heroic deeds, the Aeneid was Vergil's imagined account of Roman beginnings and a tribute to the history, character and achievements of the Roman people. On the other hand, its depth, vision and empathy with human suffering make the poem relevant to the general human condition. Now this enduring multileveled masterpiece is available in this republication of a standard unabridged translation, the most inexpensive complete version available.

Vergil: Aeneid 7 is part of a new series of commentaries on the Aeneid. Each volume adapts, with extensive revisions and additions, the commentaries of T. E. Page (1884, 1900) and is edited by a scholar of Roman epic. The present volume offers the Latin text of Book 7 along with maps, extensive notes, and commentary designed to meet the needs of intermediate students of Latin. A two-volume edition of the entire Aeneid designed to meet the needs of advanced students will be derived from the series.

“In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values…” –T.S. EliotThe Aeneid (19 BC) is an epic poem by Roman poet Virgil. Translated by English poet laureate John Dryden in 1697, Virgil's legendary epic is the story of the hero Aeneas, a castaway from Troy whose adventures across the Mediterranean led him to Italy, where he discovered what would later become the city of Rome. Presented here in faithful translation, though rearranged to accommodate Dryden's rhyming couplets, The Aeneid is a treasure of classical literature and a story of romance, war, and adventure to rival the best of Homer.“Arms, and the man I sing, who, forc'd by fate, / And haughty Juno's unrelenting hate, / Expell'd and exil'd, left the Trojan shore.” Fleeing the destruction of Troy by Greek forces, Aeneas brings his son Ascanius and father Anchises on a voyage across the sea. Landing in Carthage, Aeneas, his family, and his crew are rescued by Dido, Queen of Tyre. There, Aeneas, despite mourning the loss of his beloved wife Creusa, falls in love with Dido, who offers him refuge and her devoted love. Knowing that he is destined to found a city in Italy, however, Aeneas abandons the queen, leading her to commit suicide. Now determined to fulfill his destiny at any cost, Aeneas sails to Sicily, journeys to the underworld, and eventually arrives in the region of Latium, where he is swept up in conflict with Turnus, the Rutulian king. Flawed and feared, Aeneas exemplifies the imperfect hero compelled by fate and the gods, yet ultimately driven through a will to survive and provide for his fledgling people.This edition of Virgil's The Aeneid is a classic work of Roman literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A major new interpretation of Vergil's epic poem as a struggle between two incompatible versions of the Homeric heroThis compelling book offers an entirely new way of understanding the Aeneid. Many scholars regard Vergil's poem as an attempt to combine Homer's Iliad and Odyssey into a single epic. Joseph Farrell challenges this view, revealing how the Aeneid stages an epic contest to determine which kind of story it will tell—and what kind of hero Aeneas will be.Farrell shows how this contest is provoked by the transgressive goddess Juno, who challenges Vergil for the soul of his hero and poem. Her goal is to transform the poem into an Iliad of continuous Trojan persecution instead of an Odyssey of successful homecoming. Farrell discusses how ancient critics considered the flexible Odysseus the model of a good leader but censured the hero of the Iliad, the intransigent Achilles, as a bad one. He describes how the battle over which kind of leader Aeneas will prove to be continues throughout the poem, and explores how this struggle reflects in very different ways on the ethical legitimacy of Rome's emperor, Caesar Augustus.By reframing the Aeneid in this way, Farrell demonstrates how the purpose of the poem is to confront the reader with an urgent decision between incompatible possibilities and provoke uncertainty about whether the poem is a celebration of Augustus or a melancholy reflection on the discontents of a troubled age.

This is a substantial revision of Sarah Ruden's celebrated 2008 translation of Vergil's Aeneid, which was acclaimed by Garry Wills as'the first translation since Dryden's that can be read as a great English poem in itself.'Ruden's line-for-line translation in iambic pentameter is an astonishing feat, unique among modern translations. Her revisions to the translation render the poetry more spare and muscular than her previous version and capture even more closely the essence of Vergil's poem, which pits national destiny against the fates of individuals, and which resonates deeply in our own time.00This distinguished translation, now equipped with introduction, notes, and glossary by leading Vergil scholar Susanna Braund, allows modern readers to experience for themselves the timeless power of Vergil's masterpiece.

The ancient epic of adventure, war, passion, and tragedy that follows a Trojan warrior on his journey to the land that will become Rome. A work of epic poetry that has survived for over two thousand years, The Aeneid is the story of Aeneas. Born to a goddess and a mortal man, Aeneas leads a fleet on the Mediterranean; is beset by a great storm; becomes entangled in a romance with Dido, the queen of Carthage; and visits the underworld. His true destiny, though, awaits him in Italy, and he engages in bloody battle as he makes his way there—under the watchful gaze of the gods and goddesses who frequently intervene. A fundamental classic of Western literature, The Aeneid is a majestic blend of myth, legend, and history that continues to transport modern readers into a long-lost world.

A fresh and faithful translation of Vergil's Aeneid restores the epic's spare language and fast pace and sheds new light on one of the cornerstone narratives of Western culture.“Vivid and haunting... a model of how to render Latin poetry in English.”—Tom Holland, New StatesmanFor two thousand years, the epic tale of Aeneas's dramatic flight from Troy, his doomed love affair with Dido, his descent into the underworld, and the bloody story behind the establishment of Rome has electrified audiences around the world. In Vergil's telling, Aeneas's heroic journey not only gave Romans and Italians a thrilling origin story, it established many of the fundamental themes of Western life and literature—the role of duty and self-sacrifice, the place of love and passion in human life, the relationship between art and violence, the tension between immigrant and indigenous people, and the way new foundations are so often built upon the wreckage of those who came before. Throughout the course of Western history, the Aeneid has affirmed our best and worst intentions and forced us to confront our deepest contradictions.Shadi Bartsch, Guggenheim Laureate, award-winning translator, and chaired professor at the University of Chicago, confronts the contradictions inherent in the text itself, illuminating the epic's subversive approach to storytelling. Even as Vergil writes the foundation myth for Rome, he seems to comment on this tendency to mythologize our heroes and societies, and to gesture to the stories that get lost in the mythmaking. Bartsch's groundbreaking translation, brilliantly maintaining the brisk pace of Vergil's Latin even as it offers readers a metrical line-by-line translation, provides a literary and historical context to make the Aeneid resonant for a new generation of readers.

'Arms and the man I sing of Troy...'So begins one of the greatest works of literature in any language. Written by the Roman poet Virgil more than two thousand years ago, the story of Aeneas'seven-year journey from the ruins of Troy to Italy, where he becomes the founding ancestor of Rome, is a narrative on an epic scale: Aeneas and his companions contend not only with human enemies but with the whim of the gods. His destiny preordained by Jupiter, Aeneas is nevertheless assailed by dangers invoked by the goddess Juno, and by the torments of love, loyalty, and despair. Virgil's supreme achievement is not only to reveal Rome's imperial future for his patron Augustus, but to invest it with both passion and suffering for all those caught up in the fates of others. Frederick Ahl's new translation echoes the Virgilian hexameter in a thrillingly accurate and engaging style. An Introduction by Elaine Fantham, and Ahl's comprehensive notes and invaluable indexed glossary complement the translation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

What made Virgil special was the artisanship behind his work (which was political, but gracefully and passionately evoked the soul) and the way in which he shaped his borrowed material to his and Augustus's and Rome's purposes.

Vergil: Aeneid 8 is part of a new series of commentaries on the Aeneid. Each volume adapts with extensive revisions and additions the commentaries of T. E. Page (1884, 1900), and is edited by a scholar of Roman epic. The present volume offers the Latin text of Book 8 along with maps, extensive notes, and commentary designed to meet the needs of intermediate students of Latin. A two-volume edition of the entire Aeneid designed to meet the needs of advanced students will be derived from the series.

Virgil (70-19 B.C.) is considered the greatest poet of Ancient Rome. Virgils The Aeneid is one of the most famous poems in history and was long considered Romes national epic. This version of Virgils The Aeneid includes a table of contents.

This volume represents the most ambitious project of distinguished poet David Ferry's life: a complete translation of Virgil's Aeneid. Ferry has long been known as the foremost contemporary translator of Latin poetry, and his translations of Virgil's Eclogues and Georgics have become standards. He brings to the Aeneid the same genius, rendering Virgil's formal, metrical lines into an English that is familiar, all while surrendering none of the poem's original feel of the ancient world. In Ferry's hands, the Aeneid becomes once more a lively, dramatic poem of daring and adventure, of love and loss, devotion and death. The paperback and e-book editions include a new introduction by Richard F. Thomas, along with a new glossary of names that makes the book even more accessible for students and for general readers coming to the Aeneid for the first time who may need help acclimating to Virgil's world.

“The Aeneid” is considered by some to be one of the most important epic poems of all time. The story is as much one of the great epic hero, Aeneas, as it is of the foundation of the Roman Empire. Aeneas, a Trojan Prince who escapes after the fall of troy, travels to Italy to lay the foundations for what would become the great Roman Empire. Virgil's “Aeneid” is a story of great adventure, war, love, and of the exploits of an epic hero. In the work Virgil makes his commentary on the state of Rome during the Rule of Augustus. It was a time that had been previously ravaged by civil wars and with the reign of Augustus order and peace had begun to be restored. That order had a price though. Many of the freedoms of the old Roman Republic had been lost under the new Imperialistic Rome. This loss of freedom and the debate over the virtues of a Roman Republic versus an Imperialistic Rome was central to Virgil's time and is interwoven throughout the poetic narrative of “The Aeneid.” Virgil's work forms the historical foundation for the argument of the empire over the republic as the best form of government. This edition is translated into English verse by John Dryden and includes an introduction by Harry Burton.

Long a master of the crafts of Homeric translation and of rhapsodic performance, Stanley Lombardo now turns to the quintessential epic of Roman antiquity, a work with deep roots in the Homeric tradition. With characteristic virtuosity, he delivers a rendering of the Aeneid as compelling as his groundbreaking translations of the Iliad and the Odyssey, yet one that--like the Aeneid itself--conveys a unique epic sensibility and a haunting artistry all its own.W. R. Johnson's Introduction makes an ideal companion to the translation, offering brilliant insight into the legend of Aeneas; the contrasting roles of the gods, fate, and fortune in Homeric versus Virgilian epic; the character of Aeneas as both wanderer and warrior; Aeneas'relationship to both his enemy Turnus and his lover Dido; the theme of doomed youths in the epic; and Virgil's relationship to the brutal history of Rome that he memorializes in his poem.A map, a Glossary of Names, a Translator's Preface, and Suggestions for Further Reading are also included.

The Aeneid is widely considered Virgil's finest work and one of the most important poems in the history of western literature. Virgil worked on the Aeneid during the last eleven years of his life (29–19 BC), commissioned, according to Propertius, by Augustus. The epic poem consists of 12 books in dactylic hexameter verse which describe the journey of Aeneas, a warrior fleeing the sack of Troy, to Italy, his battle with the Italian prince Turnus, and the foundation of a city from which Rome would emerge. The Aeneid's first six books describe the journey of Aeneas from Troy to Rome. Virgil made use of several models in the composition of his epic; Homer the preeminent classical epicist is everywhere present, but Virgil also makes especial use of the Latin poet Ennius and the Hellenistic poet Apollonius of Rhodes among the various other writers to which he alludes. Although the Aeneid casts itself firmly into the epic mode, it often seeks to expand the genre by including elements of other genres such as tragedy and aetiological poetry. Ancient commentators noted that Virgil seems to divide the Aeneid into two sections based on the poetry of Homer; the first six books were viewed as employing the Odyssey as a model while the last six were connected to the Iliad. Book 1 (at the head of the Odyssean section) opens with a storm which Juno, Aeneas'enemy throughout the poem, stirs up against the fleet. The storm drives the hero to the coast of Carthage, which historically was Rome's deadliest foe. The queen, Dido, welcomes the ancestor of the Romans, and under the influence of the gods falls deeply in love with him. At a banquet in Book 2, Aeneas tells the story of the sack of Troy, the death of his wife, and his escape, to the enthralled Carthaginians, while in Book 3 he recounts to them his wanderings over the Mediterranean in search of a suitable new home. Jupiter in Book 4 recalls the lingering Aeneas to his duty to found a new city, and he slips away from Carthage, leaving Dido to commit suicide, cursing Aeneas and calling down revenge in a symbolic anticipation of the fierce wars between Carthage and Rome. In Book 5, Aeneas'father Anchises dies and funeral games are celebrated for him. On reaching Cumae, in Italy in Book 6, Aeneas consults the Cumaean Sibyl, who conducts him through theUnderworld where Aeneas meets the dead Anchises who reveals Rome's destiny to his son. Book 7 (beginning the Iliadic half) opens with an address to the muse and recounts Aeneas'arrival in Italy and betrothal to Lavinia, daughter of King Latinus. Lavinia had already been promised to Turnus, the king of the Rutulians, who is roused to war by the Fury Allecto, and Amata Lavinia's mother. In Book 8, Aeneas allies with King Evander, who occupies the future site of Rome, and is given new armor and a shield depicting Roman history. Book 9 records an assault by Nisus and Euryalus on the Rutulians, Book 10, the death of Evander's young son Pallas, and 11 the death of the Volscian warrior princess Camilla and the decision to settle the war with a duel between Aeneas and Turnus. The Aeneid ends in Book 12 with the taking of Latinus'city, the death of Amata, and Aeneas'defeat and killing of Turnus, whose pleas for mercy are spurned. The final book ends with the image of Turnus'soul lamenting as it flees to the underworld.

The first book-length study of the English Renaissance translations of Virgil's Aeneid This study brings to light a history of English Renaissance Aeneids that has been lost from view. Previous monographs have explored the complete translations by Gavin Douglas (1513) and John Dryden (1697), but there has been little research focussing on the Aeneid translations which appeared in between. This book covers the period from the beginning of Elizabeth's reign to the start of the English Civil War, during which time there were thirteen authors who composed substantial translations of Virgil's epic. These translators include prominent literary figures †“ such as Richard Stanyhurst, Christopher Marlowe, and Sir John Harington †“ as well as scholars, schoolmasters, and members of parliament. Rather than simply viewing these Aeneids as scattered efforts preceding Dryden and the ‘golden age'of Augustan translation, this book argues that these works represent a recognizable and important period of English classical translation. Drawing on manuscripts and printed sources, the book sketches a continuous portrait of the English Aeneids as they developed through the ages of Elizabeth, James, and Charles I. Key features • Reconsiders the role that Virgil's epic played in the English Renaissance • Identifies a period in translation history • Offers original readings of influential texts • Brings together the realms of literature and politics Sheldon Brammall is Leverhulme Trust Early Career Fellow, Faculty of English Language and Literature, University of Oxford

Aeneas—the son of a human and Venus, the goddess of love—escapes the siege of Troy with a boat full of other Trojans, and sails for Italy where he is destined to found the city of Rome. A storm diverts them to Carthage, where Aeneas meets Dido, the city's ruler and queen. He recounts the tale of his dangerous journey across the Mediterranean to her, and the two fall in love. After the gods remind Aeneas that it is his fate to start a new city, he sails for Italy, leaving a devastated Dido behind. The Italians are at first friendly, but when war breaks out, Aeneas must fight to fulfill his destiny. Virgil originally wrote his epic poem, The Aeneid, in Latin around 20 BCE. This is an unabridged version of the English translation by John Dryden, first published in 1697.

This is the fifth in the series of books of the Aeneid which include the text in Latin, with an introduction and commentary.

The legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. At a banquet given in honour of the Trojans, Aeneas recounts the events that occasioned the Trojans'arrival. He begins the tale shortly after the war described in the Iliad: Crafty Ulysses devised a way for Greek warriors to gain entry into Troy by hiding in a large wooden horse.

Follow Aeneas as he flees a burning Troy with his family and sets out on a dangerous journey to found what will one day become The Roman Empire. Thrill with him as he gets caught up in conflicts between the gods, all the while striving to complete his own grand destiny. Virgil intended this book to be a sequel to the Iliad and the Odyssey, and as such it takes up with events just after the finish of the Odyssey. Inscribed here are myths and legends and tales of bravery destined to last for all time.

The Aeneid is an epic poem written by Virgil in the 1st century BC. It's hero is Aeneas, a Trojan who travels from Troy to Italy to eventually found Rome. Some argue that the Aeneid is Virgil's answer to Homer's Odyssey and Iliad, combining two genres of the day--travel and war--into one poem. Take that, Homer. No civilization is without a bit of revisionist history: so it was that Virgil picked up the story of Aeneas, which was already floating around at the time, and forged an epic founding myth for Rome. And the Aeneid fit the bill, as it linked Rome with the legends of ancient Troy, glorified stodgy Roman values, and legitimized its emperors as descendants of the heroes and gods of the past. George Washington probably didn't chop down a cherry tree, but it's a fun legend to tell the kids.

'The Aeneid'is considered by some to be one of the most important epic poems of all time. The story is as much one of the great epic hero, Aeneas, as it is of the foundation of the great Roman Empire. Aeneas, a Trojan Prince, who escapes after the fall of troy, travels with others to Italy to lay the foundations for what would become the great Roman Empire. Virgil's'Aeneid'is a story of great adventure, of war, of love, and of the exploits of a great epic hero. In this work Virgil makes commentary on the state of Rome during the Rule of Augustus. It was a time that had been previously ravaged by civil wars, but with the reign of Augustus, order and peace had begun to become restored. That order had a price though. Many of the freedoms of the old Roman Republic had been lost under the new Imperialistic Rome. This loss of freedom and the debate over the virtues of a Republican Rome versus an Imperialistic Rome was central to Virgil's time and is interwoven throughout the narrative of'The Aeneid.'In this edition of Virgil's epic classic we find the prose translation of J. W. Mackail.

The first of a two-volume edition of Vergil's Aeneid, Aeneid 1–6 is part of a new series of Vergil commentaries from Focus, designed specifically for college students and informed by the most up-to-date scholarship. The editors, who are scholars of Roman epic, not only provide grammatical and syntantical aid in translating and navigating the complexities of Vergil's Latin, but also elucidate the stylistic and interpretive issues that enhance and sustain readers'appreciation of the Aeneid. Editions of individual Aeneid books with expanded comments and general vocabulary of each book are also being made available by Focus.FEATURES: The complete Books 1–6 in Latin with the most up-to-date notes and commentary by today's leading scholars of Roman epic; A general introduction to the entire volume that sets forth the literary, cultural, political, and historical background necessary to interpret and understand Vergil; Book commentaries that include: an introduction to each book, as well as shorter introductions to major sections to help frame salient passages for students; line-by-line notes providing grammatical and syntactical help in translating, discussion of the most up-to-date scholarship, and explanations of literary references that help students make connections between Vergil and Homer; Appendix on meter clearly and helpfully demonstrating the metrical concepts employed in the Aeneid with actual examples from the text, giving students the framework for understanding Vergil's poetic artistry; Glossary on rhetorical, syntactic, and grammatical terms that aids students in identifying and discussing the characteristic elements of Vergil's style.

This is the sixth in the series of books of the Aeneid which include the text in Latin, with an introduction and commentary.

This edition is part of a new series of commentaries on the Aeneid. Each volume is edited by a scholar of Roman epic and designed with the needs of today's college Latin students in mind. A two-volume edition of all books in the Aeneid will be derived from the series.This is Book Four in the series.

'The Aeneid'is considered by some to be one of the most important epic poems of all time. The story is as much one of the great epic hero, Aeneas, as it is of the foundation of the great Roman Empire. Aeneas, a Trojan Prince who escapes following the fall of troy, travels with others to Italy to lay the foundations for what would become the great Roman Empire. Virgil's Aeneid is a story of great adventure, of war, of love, and of the exploits of a great epic hero. In the work Virgil makes commentary on the state of Rome during the Rule of Augustus. It was a time that had been previously ravaged by civil wars and with the reign of Augustus order and peace had begun to be restored. That order had a price though. Many of the freedoms of the old Roman Republic had been lost under the new Imperialistic Rome. This loss of freedom and the debate over the virtues of a Republican Rome versus an Imperialistic Rome was central to Virgil's time and is interwoven throughout the poetic narrative of'The Aeneid.'Virgil's work forms the historical foundation for the argument of the empire over the republic as the best form of government.

This book is part of a series of individual volumes covering Books 1-6 of Vergil's Aeneid. Each book includes an introduction, notes, bibliography, commentary and glossary, and is edited by an Vergil scholar. This is Book Three in the series.

This title features a collection of 14 papers in which contributors use diverging critical methods on a selection of extracts from Vergil's epic, with the examination of political references in the work being prominent, as well as the question of the Aeneid's central meaning. Contents include: Vergil announcing the Aeneid. On Geo. 3.1-48 (Egil Kraggerud); The Peopling of the Underworld (Anton Powell); Vergil as a Republican (Eckard Lefevre); The Sword-Belt of Pallas: Moral Symbolism and Political Ideology (Stephen Harrison); The Isolation of Turnus (Richard F. Thomas) and The End and the Meaning (David West)

Aeneas appears in The Illiad in vague snatches and starts as a traveling warrior of great piety who was loosely connected to the foundation of Rome. Virgil weaves these fragments into a powerful myth about the founding of Rome in The Aeneid. Aeneas travels from his native Troy to Italy then wages victorious war upon the Latins.