Beyond Vandalism: Gentle Privatism and the Graffiti Code of Conduct in Blok 45

This paper explores the unique interplay between graffiti practices, “gentle privatism,” and urban space in Block 45, a large housing estate in New Belgrade. Focusing on the informal code of conduct adhered to by local graffiti artists, the study examines how these unwritten rules shape social hierarchies and community dynamics. Through an analysis of graffiti’s territoriality and its role in place-making, the paper reveals how artists navigate the tension between public and private domains, challenging conventional neoliberal urban paradigms. By appropriating public spaces, graffiti writers transform common walls into valuable canvases that reflect the collective identity and mutual respect within the ambience of Block 45. The paper argues that this form of gentle privatism not only asserts the presence of the artists but also enriches the urban landscape and strengthens community bonds. Ultimately, the study highlights the sociocultural significance of graffiti as a medium for cultural expression and social commentary within the context of privatism.
Članek raziskuje edinstveni preplet praks grafitiranja, »nežnega privatizma« in urbanega prostora v Bloku 45, večjem stanovanjskem naselju v Novem Beogradu. Študija s poudarkom na neformalnem kodeksu obnašanja, ki se ga držijo lokalni grafitarji, proučuje, kako ta nenapisana pravila oblikujejo družbene hierarhije in dinamike v skupnosti. Članek prek analize teritorialnosti grafitov in njihove vloge v ustvarjanju krajev razkrije, kako se umetniki spoprijemajo z napetostjo med javno in zasebno sfero ter pri tem predstavljajo izziv konvencionalnim neoliberalnim urbanim paradigmam. S prilastitvijo javnih prostorov grafitarji skupne zidove preobrazijo v dragocena platna, ki odslikavajo kolektivno identiteto in vzajemno spoštovanje v okolišu Bloka 45. V prispevku avtorica argumentira, da ta oblika nežnega privatizma ne le uveljavlja prisotnost umetnikov, temveč tudi bogati urbano krajino in krepi skupnostne vezi. Študija nazadnje poudari družbeno- kulturni pomen grafitov kot medija za kulturno izražanje in družbeni komentar v kontekstu privatizma.