Cite
Between topoi and new narratives. The critical reception of women artists in the first post-war years, in the Roman art scene
MLA
Genovesi, Elisa. “Between Topoi and New Narratives. The Critical Reception of Women Artists in the First Post-War Years, in the Roman Art Scene.” Piano b. Arti e Culture Visive; Vol. 8 No. 2 (2023): Feminist History, Theory and Practices in Twentieth Century Art; 113-144, 2024. EBSCOhost, widgets.ebscohost.com/prod/customlink/proxify/proxify.php?count=1&encode=0&proxy=&find_1=&replace_1=&target=https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&scope=site&db=edsoai&AN=edsoai.on1452767984&authtype=sso&custid=ns315887.
APA
Genovesi, E. (2024). Between topoi and new narratives. The critical reception of women artists in the first post-war years, in the Roman art scene. Piano b. Arti e Culture Visive; Vol. 8 No. 2 (2023): Feminist History, Theory and Practices in Twentieth Century Art; 113-144.
Chicago
Genovesi, Elisa. 2024. “Between Topoi and New Narratives. The Critical Reception of Women Artists in the First Post-War Years, in the Roman Art Scene.” Piano b. Arti e Culture Visive; Vol. 8 No. 2 (2023): Feminist History, Theory and Practices in Twentieth Century Art; 113-144. http://widgets.ebscohost.com/prod/customlink/proxify/proxify.php?count=1&encode=0&proxy=&find_1=&replace_1=&target=https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&scope=site&db=edsoai&AN=edsoai.on1452767984&authtype=sso&custid=ns315887.