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Walking Together: The Art of Celebrating Community with Little Amal & Chicanx Teatro Ensemble

Authors :
Ortega, Karina
Porter, Lisa J1
Powell, Lora
Ortega, Karina
Ortega, Karina
Porter, Lisa J1
Powell, Lora
Ortega, Karina
Publication Year :
2024

Abstract

On November 4th, 2023, in a large celebration at Casa Familiar Station San Ysidro, a 12-foot puppet named Little Amal united a diverse group of individuals hailing from all areas of San Diego, Southern California, and Mexico. In July 2021, Amal, a beacon of hope, love, curiosity, and human rights, embarked on a journey around the world to spread awareness about displacement and community building across cultures, nationalities, and politics. I participated as a member of the UC San Diego Chicanx Teatro Ensemble, a collective of artists dedicated to using theater as a means of activism and cultural expression. An hour-long event titled Take a Message For Me connected the San Ysidro neighborhood and Teatro students across various disciplines, including design, dance, and acting, to curate a ceremony in honor of Amal’s last day in the United States. Amal and the Handspring Puppet Company had been traveling across the country from September to November, where she made multiple appearances and eventually landed in San Ysidro. On the day of her celebration, she danced with us, received a blessing from Kumeyaay elders, and took our messages to share with those at a migrant facility in Tijuana, Mexico. My role included establishing connections and liaising between the institutional entity of UC San Diego and the San Ysidro community. In traditional theatre, where the performance occurs on a stage, and the audience enjoys the show from a seated area, a Stage Manager coordinates when technical elements such as lights, sound, scenery, and video cues are executed. However, in site-specific events, such as Take a Message For Me, where the performance occurs in an alleyway surrounded by residential backyards and driveways, I originated and reshaped the role of the traditional Stage Manager into one that responds to the troupe’s dynamics and a non-traditional environment. The values I carry as an artist were transferred into my role as the Production Coordinator, modeling compassi

Details

Database :
OAIster
Notes :
application/pdf, English
Publication Type :
Electronic Resource
Accession number :
edsoai.on1432082717
Document Type :
Electronic Resource