La representación del lesbianismo en “El niño pez” de Lucía Puenzo: un análisis háptico y diegético desde la interseccionalidad

In this paper we will analyse how queer gender desires and expressions are cinematically articulated in Lucía Puenzo’s El niño pez. For this purpose, we will study the relationship between Lala (Inés Efrón) and her family's Guaraní domestic servant, Ailín (Mariela Vitale). We will implement a methodological approach anchored in the concepts of haptic visuality (Marks 2002) and interseccionality (Crenshaw 1989). Although El niño pez presents certain identitarian undefinitions linked to queerness, we will demonstrate that the construction of Lala's character points to certain stereotypes related to the filmic representation of lesbianism.