Paper Bodies: Chinese Migrant Documentation in New Zealand at the Turn of the Century

This thesis examines early-twentieth century Certificates of Registration produced in New Zealand to document Chinese migrants. These identification documents were created to track sojourners who were temporarily returning to China, proving upon their return to New Zealand that they were legal residents and had already paid the expensive poll tax that was imposed under Chinese exclusion policies. Through the Certificates of Registration, the state sought to control Chinese immigration and, by extension, New Zealand’s racial and cultural identity as a White settler colony. These documents imposed a scrutinizing and alienating gaze over the individual Chinese body; they registered physical identity through textual descriptions, fingerprints, and studio photographs which the subjects were responsible for providing. These methods of registering the human body, influenced by developments in anthropology and criminology, naturalized a racial hierarchy where Chinese migrants were continuously alienated in New Zealand as unnatural, foreign entities. Because the Chinese were pictured as an inscrutable and identical hoard in the popular imagination, documentation relied upon miniscule “particularities” and still-developing fingerprint technology. However, both the physical descriptions of “particularities” and the often-smudged or irregularly applied fingerprints had very little practical use. Often vague and illegible, these technologies (and the process of documentation as a whole) can be understood as a punitive social ritual. The photographs provided by the migrants create a startling contrast with the state’s construction of Chinese identity. The collected photographs exhibit a stunning amount of variety in composition, poses, and backdrops that contrasts with the highly standardized ID photos used in government documents today. These honorific studio portraits frame the subjects as Westernized, affluent potential citizens—a striking form of self-fashioning that defies t