Пространство субъектных зон 'Свои' и 'Чужие' как феномен политического сознания персонажей: (на материале кинотекста 'Холодное лето пятьдесят третьего')

This article considers the subject environment of the film "The Cold Summer of 1953" using the author's model of investigation of the text of a film based on the original theory of cognitive-pragmatic programs (CPPs). The subject environment of the screenplay is segmented into separate zones with the help of political markers. The peculiarities of the subject zone "Own" depend on the functioning of the basic partisan-ideological CPP, which, on the one hand, is in constant search for new real / poten-tial enemies, and, on the other hand, is ever using its powerful mythological potential as a tool for manipulating the mass conscious-ness, and continues active search for / "recruitment" of new adepts.
В статье рассматривается субъектная среда фильма "Холодное лето пятьдесят третьего".