Iconographic origin and creation process of the Dead Girl (1957) by Antonio López. The relationship of photography and painting under the sign of appropriationism

MLA

Vázquez, José Fernando. “Iconographic Origin and Creation Process of the Dead Girl (1957) by Antonio López. The Relationship of Photography and Painting under the Sign of Appropriationism.” Arte, Individuo y Sociedad; Vol. 33 No. 1 (2021); 305-322, 2021. EBSCOhost, widgets.ebscohost.com/prod/customlink/proxify/proxify.php?count=1&encode=0&proxy=&find_1=&replace_1=&target=https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&scope=site&db=edsoai&AN=edsoai.on1231652535&authtype=sso&custid=ns315887.

APA

Vázquez, J. F. (2021). Iconographic origin and creation process of the Dead Girl (1957) by Antonio López. The relationship of photography and painting under the sign of appropriationism. Arte, Individuo y Sociedad; Vol. 33 No. 1 (2021); 305-322.

Chicago

Vázquez, José Fernando. 2021. “Iconographic Origin and Creation Process of the Dead Girl (1957) by Antonio López. The Relationship of Photography and Painting under the Sign of Appropriationism.” Arte, Individuo y Sociedad; Vol. 33 No. 1 (2021); 305-322. http://widgets.ebscohost.com/prod/customlink/proxify/proxify.php?count=1&encode=0&proxy=&find_1=&replace_1=&target=https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&scope=site&db=edsoai&AN=edsoai.on1231652535&authtype=sso&custid=ns315887.