Les sonorités dans les Aitia de Callimaque : aux origines de la poésie

We try to show from a few examples of the fragmentary collection of the Aitia that Callimachus is also sensitive to sound effects (alliterations, assonances, anagrams, sound chiasms) in the composition of his poetry and that this inclination is linked to the power of names which is the base of his poetic writing.