Art roman et art moderne : « affinités sentimentales »

The history of art in the twentieth century reveals many and varied affinities with roman art, both formal and spiritual, especially for the painters of the Second School of Paris and the non-figuration. However, it would be more correct to speak of "sentimental affinities" because this story features artists and thinkers for whom the essential stake is to renew links with the public, to nourish modern man from within in a world to be rebuilt.