Spirits in the Material World: Spectral Worlding in David Mitchell’s Ghostwritten and Cloud Atlas

The breathless itineraries of David Mitchell’s novels Ghostwritten and Cloud Atlas position them as books offering a globalized perspective. The novels both employ multiple narratives that—through a range of first person narrators, focalizers, and textual forms—proliferate stories encompassing myriad places and moments. The tales in these works intertwine and nest in one another, their formal links paralleled by spiritual bonds between characters: ghosts, reincarnations, and migrating spirits help bridge disparate story lines. These connections mean their individual stories cannot be read in isolation as an accumulation of different global viewpoints but must be seen as embedded within one another. If globalization views the planet as if from afar and stresses equivalence and exchange (especially through international markets), spirit, conceived here as the capability of some matter to transform itself, allows the world to be seen and surveyed from within. Moreover, the transfer of spirit between characters highlights their interconnections, even if these characters never meet. Consequently, these novels construct the concept of ‘world’ as a complex and dynamic phenomenological production, one echoing Jean-Luc Nancy’s account of ‘mondialisation’. In Ghostwritten and Cloud Atlas, world is thus discovered only through a confrontation with other beings. As this encounter cannot be staged through merely subsuming the other’s viewpoint, it is dependent on spiritual projection, on endeavoring to inhabit the perspective of another. Through this worldly panorama, Mitchell’s novels rework both the traditional association of novel and nation, as well as invocations of the spirit of a nation, so they can present a world that can only be known from inside material and located bodies, through spiritually entwined perspectives and stories.