'No Rest for the Wicked': R.L. Stevenson’s 'The Body Snatcher' and the Resisting Corpse of Victorian Resurrectionism

The subversive semantic power of the revenant or reanimated corpse in Victorian literature serves as a crucial indicator of the era’s preoccupation with the body as a cultural domain. Deeply entwined with the uneasy relationship between the advancement of anatomical science and criminality, the body is marked as the site of fraught boundaries imbued with social order and its attendant anxieties. This paper explores the narrative strategies of Stevenson’s short story “The Body Snatcher” (1884) where resurrectionist motifs resist the enforcement of the condition of anonymity that was entailed by anatomical dissection and signal the impossibility of closure through the trope of return of the repressed sub specie of the dissected cadaver. This dual ‘resistance’ culminates in the symbolism of the revenant corpse’s movement, abandoned in its progress towards the future. Stevenson’s story reveals a hermeneutic complexity that intertwines the themes of contamination, ethical collusion, commodification of the dead body through the entanglement of medical practice and narrative opacity. This offers further insights into the Victorian resurrectionist imagination, in the light of that ‘aura’ of the corpse which the regulation of the 1834 New Poor Amendment Act failed to dispel.