COMPOSITIONAL AND DRAMATURGICAL FEATURES OF THE NINTH MOON (A NOUA LUNĂ ÎN CER) VOCAL CYCLE BY GHENADIE CIOBANU

The article reveals the compositional and dramaturgical features of „The Ninth moon” vocal cycle by Ghenadie Ciobanu, which are determined by its belonging to the form of the suite. Characterized by intonation thematic and timbre structure of each of the four parts, identifies their compositional functions. It is concluded that the unity of the whole is facilitated by the melodic-intonational community of the parts, similar loud-dynamic techniques for completing each part and the overall oriental flavor of music, due to the choice of a specific ensemble of performers, the sound of the Chinese text, modal and rhythmic structure of the sound material. A significant role is played the philosophical nature of the poetic text with the idea of the unity of man, nature and space, typical of Chinese poetry.