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Exposer l’art rupestre
- Source :
- 21: Inquiries into Art, History, and the Visual, Vol 5, Iss 2 (2024)
- Publication Year :
- 2024
- Publisher :
- arthistoricum.net, 2024.
-
Abstract
- Often located in places difficult to access – caves, rock shelters, and deserts – prehistoric paintings and engravings were first generally known to the wider public in the 1930s through reproductions presented in publications and exhibitions in major European and American cities. The German anthropologist Leo Frobenius (1873–1938) played a decisive role in this diffusion by creating the world’s largest collection of prehistoric art facsimiles: about 5,000 so-called “original” copies faithfully reproducing the size, shapes, and colors of the paintings. The copies were made throughout the world primarily by professionally trained young women artists who accompanied Frobenius on his expeditions. These watercolors brought these rarely seen and distant images into the larger world. In numerous exhibitions, rock art – converted into two dimensions, in rectangular form, and hangable on a wall – was presented to the public like recognized masterpieces. This article explores the history of the collection and today’s exhibition concepts.
- Subjects :
- Art rupestre
Exposition
Frobenius
Arts in general
NX1-820
Subjects
Details
- Language :
- German, English, French, Italian
- ISSN :
- 27011569 and 27011550
- Volume :
- 5
- Issue :
- 2
- Database :
- Directory of Open Access Journals
- Journal :
- 21: Inquiries into Art, History, and the Visual
- Publication Type :
- Academic Journal
- Accession number :
- edsdoj.422ab67d4b54468a9df51c0d40ccb4d3
- Document Type :
- article
- Full Text :
- https://doi.org/10.11588/xxi.2024.2.104830