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Designing Sound Representation for Musicology

Authors :
Couprie, Pierre
Recherches en Arts du Spectacle et Musique - Centre d'Histoire Culturelles des Sociétés Contemporaines (RASM-CHCSC)
Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)-Université d'Évry-Val-d'Essonne (UEVE)-Université Paris-Saclay
Centre d'Histoire Culturelle des Sociétés Contemporaines (CHCSC)
Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)-Université Paris-Saclay
Université de Saitn-Etienne
INRIA
GRAME
Source :
Sound and Music Computing (SMC22), Sound and Music Computing (SMC22), Jun 2022, Saint-Etienne, France. 2022, Sound and Music Computing (SMC22)
Publication Year :
2022
Publisher :
HAL CCSD, 2022.

Abstract

International audience; There are many forms of representation of the sound signal: from the waveform to higher-level representations such as FFT visualization, audio descriptors or the chromagram. Some of them are commonly used by musicians or musicologists, others are used more rarely.Using a sound representation in musicology does not only mean using technology coming from acoustics and computer science, but also means using a digital method of musical analysis.

Details

Language :
English
Database :
OpenAIRE
Journal :
Sound and Music Computing (SMC22), Sound and Music Computing (SMC22), Jun 2022, Saint-Etienne, France. 2022, Sound and Music Computing (SMC22)
Accession number :
edsair.od......4047..6fba86d04de1d5f527caf44d7de07c43