«There’s always only the first page». On the ambivalent relation between sound and notation in some early electroacoustic music, and the problems of modern editions

MLA

Rizzardi, Veniero. «There’s Always Only the First Page». On the Ambivalent Relation between Sound and Notation in Some Early Electroacoustic Music, and the Problems of Modern Editions. Jan. 2018. EBSCOhost, widgets.ebscohost.com/prod/customlink/proxify/proxify.php?count=1&encode=0&proxy=&find_1=&replace_1=&target=https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&scope=site&db=edsair&AN=edsair.od......3655..6ab92f96a3531fd217d0ffd871db2328&authtype=sso&custid=ns315887.

APA

Rizzardi, V. (2018). «There’s always only the first page». On the ambivalent relation between sound and notation in some early electroacoustic music, and the problems of modern editions.

Chicago

Rizzardi, Veniero. 2018. “«There’s Always Only the First Page». On the Ambivalent Relation between Sound and Notation in Some Early Electroacoustic Music, and the Problems of Modern Editions,” January. http://widgets.ebscohost.com/prod/customlink/proxify/proxify.php?count=1&encode=0&proxy=&find_1=&replace_1=&target=https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&scope=site&db=edsair&AN=edsair.od......3655..6ab92f96a3531fd217d0ffd871db2328&authtype=sso&custid=ns315887.