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He Looks Mighty Pretty When He Gets Mad: Relationships of Face versus Body in The Man Who Shot Liberty Valance
- Source :
- Kino: The Western Undergraduate Journal of Film Studies
- Publication Year :
- 2014
- Publisher :
- Scholarship@Western, 2014.
-
Abstract
- Roach proposes an inventive reconsideration of the film’s two stars, John Wayne and Jimmy Stewart that is premised fervently on post-structural deconstructions of masculinity and the politics of the body. Through gestural analyses and close attention to the ways in which both men occupy the filmic space, the article establishes a rigorous interpretation of Richard Dyer’s theories of stardom that is premised upon relational aesthetics: of not only its leads’ interactions with each other, but also an ethic of genre-based intertextuality
Details
- Database :
- OpenAIRE
- Journal :
- Kino: The Western Undergraduate Journal of Film Studies
- Accession number :
- edsair.od......1548..454c0a2d6828cf688dd490989179f699