Zagadnienia XVII-wiecznego warsztatu malarskiego na przykładzie wybranych obrazów z terenów dawnych Prus: 'Epitafium rodziny Hansa Gronau' z Bazyliki Mariackiej w Gdańsku i obrazu 'Koronacja Najświętszej Marii Panny' z kościoła p.w. św. Trójcy w Jeżewie

This paper discusses the issues related with the painters’ workshop of the first half of 17th century, originating from the territory of Duke’s Prussia. The technology and technique of two paintings is being presented: an epitaph painting of Hans Gronau from Our Lady’s Basilica in Gdansk, related with the circle of followers of Anton Moller (1563/65 Krolewiec – 1611 Gdansk) and a painting with the representation of Coronation of Virgin Mary from the Holy Trinity Church in Jezewo, attributed to the atelier of Herman Han (1574 Nysa – 1627 Chojnice).