Nota sobre a recepção de Rilke na lírica brasileira do segundo pós-guerra

O presente artigo integra um estudo mais longo (CAMILO, 2013) sobre a conversao neoclassica que marcou tanto a lirica de nomes representativos do Modernismo brasileiro (como Drummond, Jorge de Lima, Murilo Mendes e Augusto Meyer) nos anos 1940 e 1950, quanto a poesia da entao emergente geracao de 45. Para essa conversao, muito contribuiu as concepcoes sobre o poetico de nomes como Eliot, Valery e Rilke. Interessa aqui discutir alguns aspectos da recepcao deste ultimo apenas, partindo do que ja inventariou a critica a esse respeito. ******************************************************************** Note about the reception of Rilke in the Brazilian lyric of the second post-war Abstract : This article is part of a longer study (CAMILO, 2013) on the neoclassical conversion that marked both the lyric poetry of representative poets of Brazilian Modernism (such as Drummond, Jorge de Lima, Murilo Mendes, and Augusto Meyer) in the 1940s and 1950s, and the poetry of the emerging geracao de 45 (generation of 45). The works and poetic conceptions of Eliot, Valery, and Rilke contributed decisively for this conversion. Here, it is important to discuss only a few aspects of the reception of Rilke’s poetry and ideas from what critics have already cataloged. Keywords : Rilke; Neoclassicismo; Modern Brazilian lyric; Geracao de 45 (Generation of 45)