Back to Search
Start Over
Imagining Homeland: Identity and Repertories of a Greek Labour-immigrant Musician in Germany
- Source :
- Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, Forum: Qualitative Social Research, Vol 7, Iss 3 (2006)
- Publication Year :
- 2006
- Publisher :
- DEU, 2006.
-
Abstract
- Migration has always played an important and determinative role in the formation of the Greek life-cycle, since the existence of a Greek Diaspora originates back to the institution of the Greek nation. However, whether the migration phenomenon represents a typical and integral part of the Greek cultural tradition or mentality, or appears as a forced consequence of specific economic or political circumstances, it should be pointed out that it has proved to be a transformative factor for the lives of people involved in it. The fate of "metanastes" (immigrants) and the life in "xenitia" (foreign host land) appear to be a very common and prominent topic elaborated in the poetic texts of the Greek "dimotika tragoudia" (traditional songs) and "laika tragoudia" (folk-popular songs). Through these repertoires, music reveals its power in conveying and symbolically communicating and expressing public notions, feelings and cultural messages that acquire a particular significance for immigrant communities. Furthermore, diasporic music—along with dance—constitutes one of the basic components of the immigrant's cultural heritage, representing: an expressive way of maintaining cultural identity; a fixed, however metaphorical, conjunctional link between the mother country and the host land; and, a fundamental context through which the migratory community identifies or reconstitutes itself in relation to the majority and other surrounding groups. The author uses fieldwork from a year spent amongst Greek immigrant communities in the Stuttgart region of Germany to address and reflect on issues around the role of music in identity construction and the way in which this connects with processes of integration, assimilation and transnationalism. Specifically, the paper explores the multiple identities and repertories of a Greek musician in Germany, by focusing on several aspects of the musician's life-portrait and providing both emic and etic interpretations. This single case study is used to highlight broader relations between migration, settlement and minority-majority identity dynamics. URN: urn:nbn:de:0114-fqs0603109<br />Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, Vol 7, No 3 (2006): Qualitative Migration Research in Contemporary Europe
- Subjects :
- diaspora
transculturation
Greek music
emic/etic interpretation
Musik
Heimat
Federal Republic of Germany
migration
Sociology & anthropology
empirisch-qualitativ
qualitative empirical
music
lcsh:Social sciences (General)
Migration, Sociology of Migration
Grieche
Social sciences, sociology, anthropology
identity
Cultural Sociology, Sociology of Art, Sociology of Literature
griechische Musik
emische/etische Interpretation
diáspora
transculturación
música griega
interpretación emic/etic
Sozialwissenschaften, Soziologie
empirisch
musician
Migrant
Identität
Bundesrepublik Deutschland
Musiker
native country
Akkulturation
Soziologie, Anthropologie
ddc:300
lcsh:H1-99
ddc:301
Greek
empirical
acculturation
Kultursoziologie, Kunstsoziologie, Literatursoziologie
Subjects
Details
- Database :
- OpenAIRE
- Journal :
- Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, Forum: Qualitative Social Research, Vol 7, Iss 3 (2006)
- Accession number :
- edsair.doi.dedup.....bb83834d3680929726790d5347e61970