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Unravelling Identities: Performance and Criticism in Australian Feminisms
- Source :
- Feminist Review. :135
- Publication Year :
- 1996
- Publisher :
- JSTOR, 1996.
-
Abstract
- The following article is an exploration of the non-linear and non-unified identities that make up Australian feminism. The main premise is that the divergent strands of rational and romantic thought, central to the project of liberalism, are inherent in the characterization of Australian feminisms. As a result, there have always been tensions between feminists, centred around politics of self-identification. These tensions continue to exist, but to be articulated in different ways in different decades as a result of the ever changing relationships between feminist, state and media/public discourses. These ideas are explored through comparing two key moments in our recent past in which differences between feminisms were declared. These two events – the Mary Daly visit to Australia to promote Gyn/Ecology in 1981, and the debate engendered by Helen Garner's The First Stone in 1995 – are taken to be performative metaphors through which the continuities and discontinuities of the nature of Australian feminisms can be subjectively explored.
- Subjects :
- 05 social sciences
Gender studies
Performative utterance
Romance
Feminism
0506 political science
Liberalism (international relations)
Gender Studies
Politics
Arts and Humanities (miscellaneous)
050903 gender studies
Cultural studies
050602 political science & public administration
Women's studies
Criticism
Sociology
0509 other social sciences
Subjects
Details
- ISSN :
- 01417789
- Database :
- OpenAIRE
- Journal :
- Feminist Review
- Accession number :
- edsair.doi.dedup.....a68ff3af7b6ce65d5426bdea441a88a7
- Full Text :
- https://doi.org/10.2307/1395778