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James Benning, taxidermist
- Source :
- Davis, G 2018, ' James Benning, taxidermist ', Moving Image Review & Art Journal, vol. 7, no. 1, pp. 38-51 . https://doi.org/10.1386/miraj.7.1.38_1
- Publication Year :
- 2018
- Publisher :
- Intellect, 2018.
-
Abstract
- This essay explores the relationship between cinema and taxidermy, and some of the ways in which artists and experimental film-makers have used the moving image to engage with the ramifications of stuffing and preserving animals. It is argued that the taxidermied creature’s eerie mixture of death and life has particular resonance for film-makers with an interest in slowness and stasis. James Benning’s 2014 film natural history, which was shot behind the scenes at the Naturhistorisches Museum in Vienna, serves as a central focus. As with other films by Benning, natural history can be understood as both structuralist and a landscape film. The film is compared to works depicting stuffed animals by other experimental film-makers who explore stillness and slowness; it is proposed that such film-makers can be conceived of as taxidermists. Finally, the article looks at the complex relations between cinema, taxidermy and sound. The aural dimension of Benning’s film, missing from many other artists’ engagements with taxidermy, enables a richer exploration of its operations.
- Subjects :
- geography
slowness
geography.geographical_feature_category
Taxidermy
stasis
Visual Arts and Performing Arts
media_common.quotation_subject
taxidermy
Art history
Art
Computer Graphics and Computer-Aided Design
Computer Science Applications
sound
Silence
natural history
silence
structural film
James Benning
museums
Slowness
experimental film
Sound (geography)
media_common
Subjects
Details
- ISSN :
- 20456298
- Volume :
- 7
- Database :
- OpenAIRE
- Journal :
- The Moving Image Review & Art Journal (MIRAJ)
- Accession number :
- edsair.doi.dedup.....77b1b5fa953179a12cd35d52708c4b8e