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DISSONANCES: BRIEF DESCRIPTION AND ITS COMPUTATIONAL REPRESENTATION IN THE RTCC CALCULUS

Authors :
Salim Perchy
Gerardo M. Sarria M.
Ambientes VISuales de Progamación Aplicativa (AVISPA Resarch Group)
Pontificia Universidad Javeriana (PUJ)
Fabien Gouyon
PERCHY, Salim
Álvaro Barbosa
Xavier Serra
Source :
Proceedings of the 6th Sound and Music Computing Conference (SMC 2009), 6th Sound and Music Computing Conference (SMC 2009), 6th Sound and Music Computing Conference (SMC 2009), Fabien Gouyon, Jul 2009, Porto, Portugal. pp.6
Publication Year :
2009
Publisher :
HAL CCSD, 2009.

Abstract

International audience; Dissonances in music have had a long evolution history dating back to days of strictly prohibition to times of en-richeness of musical motives and forms. Nowadays, dis-sonances account for most of the musical expressiveness and contain a full application theory supporting their use making them a frequently adopted resource of composition. This work partially describes their theoretical background as well as their evolution in music and finally proposing a new model for their computational use

Details

Language :
English
Database :
OpenAIRE
Journal :
Proceedings of the 6th Sound and Music Computing Conference (SMC 2009), 6th Sound and Music Computing Conference (SMC 2009), 6th Sound and Music Computing Conference (SMC 2009), Fabien Gouyon, Jul 2009, Porto, Portugal. pp.6
Accession number :
edsair.doi.dedup.....0499a1be73ccec27167a6ba162a5c577