Dialogic Tropes

Calgary-based installation artist and printmaker Kim Huynh’s projects are profoundly aware of materiality and ways in which it can encourage us to jump out of the ruts and customary ways of categorizing and thinking in late Capitalism. The media that Kim Huynh adopts can range from the extraordinary to the banal, from a vast string of pearls to orange peels. This short interview with Kim Huynh investigates matters that are material and conceptual, incorporated into two projects referencing social injustice and embodied female experiences.