'Byzance apre's Byzance' and Post-Byzantine Art from the Late Fifteenth Century through the Eighteenth Century

The study of the post-Byzantine world is now regarded as a field in its own right, separate from Byzantine studies or Renaissance studies. However, the scope of the discipline and the meaning of the term post-Byzantine—its conceptual, geographical, and chronological limits—remain unsettled. For art historians, the term typically refers to certain tendencies (especially in iconography and style) observable in and around one of a few centers of activity or spheres of influence within the Orthodox Christian world, typically identified as Ottoman-held vs. Venetian-held lands, or as Venetian Crete, Mt. Athos, and the “periphery” (i.e., everywhere else). Scholarly attention has also focused primarily on portable icons. Broadening the field to consider more types of objects across the whole geography under scrutiny, we can consider how art and ideas were received and adapted over time and across regions.