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Powers of Powerlessness: The Politics of Defeat in the Cinema of Nouri Bouzid
- Source :
- Journal of Visual Culture. 16:253-273
- Publication Year :
- 2017
- Publisher :
- SAGE Publications, 2017.
-
Abstract
- This article examines the cultural politics of defeat in the cinema of Tunisian filmmaker Nouri Bouzid. Taking a lead from Bouzid’s directorial début Man of Ashes, the author focuses on Golden Horseshoes (1989) and Making of (2006), the two films that best dramatize the continuities between the crisis of filiation and the crisis of affiliation, and that deal head-on with left-wing (socialism) and right-wing (religious fundamentalism) ideologies. These two early films paint the broad strokes of Bouzid’s cinematic project, specifically its entwined dramatization of the crisis of filiation ( Man of Ashes) and the crisis of affiliation ( Golden Horseshoes), the profound loss of any discernible project of psychoaffective investiture, intellectual commitment and decolonial resistance, especially in the wake of the spectacular dissolution of international socialism and the ensuing triumphalism of global capitalism and financial imperialism.
- Subjects :
- Visual Arts and Performing Arts
business.industry
Communication
media_common.quotation_subject
Socialist mode of production
Gender studies
06 humanities and the arts
060401 art practice, history & theory
Making-of
Politics
Movie theater
Aesthetics
Dramatization
Fundamentalism
Political science
Triumphalism
Ideology
business
0604 arts
media_common
Subjects
Details
- ISSN :
- 17412994 and 14704129
- Volume :
- 16
- Database :
- OpenAIRE
- Journal :
- Journal of Visual Culture
- Accession number :
- edsair.doi...........a7552bb6d63b4ee3a876eafa064e2062