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The Current Problems of Aesthetic Creation in Chinese Film Art

Authors :
Xing Zhou
Source :
Journal of Chinese Film Studies. 1:355-376
Publication Year :
2021
Publisher :
Walter de Gruyter GmbH, 2021.

Abstract

Current market-led Chinese film production has made huge achievements. Market indicators certainly have their validity. However, the power of the market has been exaggerated so that it controls everything. Because of the disregard of film as an aesthetic object, the content, form and aesthetic sensibility of films have been neglected, preventing creation at a higher level. The loss of multiple cultural identities due to market factors and artistic indifference is hardly sustainable in the long run. In recent years, Chinese films have gradually improved their artistic aesthetics. How to reasonably coordinate the market and the realization of the value of art and culture itself is an urgent problem to be solved. Firstly, Chinese films should have creative imagination; secondly, Chinese films should have the artistic expression of the national core value of heroism; thirdly, Chinese films should have meticulous depictions of people. Under the perspective of aesthetic appreciation, it is a top priority for Chinese films to be more in line with reality and traditional aesthetic culture, and be more characterized in their creation.

Details

ISSN :
27022285 and 27022277
Volume :
1
Database :
OpenAIRE
Journal :
Journal of Chinese Film Studies
Accession number :
edsair.doi...........3875125fae77ee0f2786eb4c1f708761