Alonso Riquelme and the rewritting of La buena guarda of Lope de Vega

This article aims to delve into the process of composition of La buena guarda de Lope de Vega through the analysis of the hands and annotations that appear in the autograph manuscript, as well as the relation of this annotations with the two versions of comedy. The connection of one of these hands with the theatre company of Alonso Riquelme establishes that the director of this company took a leading role in the composition of the second version of the comedy.