Back to Search Start Over

Os Corpos que Dançaram suas Vozes

Os Corpos que Dançaram suas Vozes

Authors :
Gisela Reis Biancalana
Source :
Brazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46, Révue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46, Révue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 30-46, Revista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 30-46, Revista Brasileira de Estudos da Presença, Universidade Federal do Rio Grande do Sul (UFRGS), instacron:UFRGS, Revista Brasileira de Estudos da Presença, Vol 6, Iss 1, Pp 30-45 (2016)
Publication Year :
2022
Publisher :
Universidade Federal do Rio Grande do Sul, 2022.

Abstract

The article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers. The article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers. The article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers.

Details

Language :
Portuguese
ISSN :
22372660
Database :
OpenAIRE
Journal :
Brazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46, Révue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46, Révue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 30-46, Revista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 30-46, Revista Brasileira de Estudos da Presença, Universidade Federal do Rio Grande do Sul (UFRGS), instacron:UFRGS, Revista Brasileira de Estudos da Presença, Vol 6, Iss 1, Pp 30-45 (2016)
Accession number :
edsair.dedup.wf.001..567219f84e54c5c0040287b1764e7e25