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The Sack of Rome (1527)

Authors :
Lepoittevin, Anne
Centre André Chastel : Laboratoire de recherche en histoire de l'art (CAC)
Sorbonne Université (SU)-Centre National de la Recherche Scientifique (CNRS)-Ministère de la Culture (MC)
LabEx EHNE
Source :
Encyclopédie pour une histoire nouvelle de l'Europe [online], LabEx EHNE. Encyclopédie pour une histoire nouvelle de l'Europe [online], 2019
Publication Year :
2019
Publisher :
HAL CCSD, 2019.

Abstract

International audience; The political accident that was the sack of Rome is a major landmark in the artistic history of Europe. Contemporaries insisted on its Protestant iconoclasm, which notably jeopardized the relics and sacred images of the Holy City, home of the Holy See and destination of pilgrimages. The sack dispersed the successors to Raphael along with the other actors of the first generation of Mannerists, thereby bringing about the immediate diffusion of the first Roman—as well as Florentine—manner, initially towards the main courts of Italy (1527 and 1528) and later to those of France (Fontainebleau) and ultimately Europe.

Details

Language :
English
Database :
OpenAIRE
Journal :
Encyclopédie pour une histoire nouvelle de l'Europe [online], LabEx EHNE. Encyclopédie pour une histoire nouvelle de l'Europe [online], 2019
Accession number :
edsair.dedup.wf.001..07b461ba82ba05f42308532203211764