Ein säkularisierter Held.

The article focuses on Joachim Raff's opera "Samson," recently released on CD, exploring its revival and critical reception. Topics include Raff's reinterpretation of the biblical hero as a secularized figure, the opera's historical context and composition challenges, and its recent performance revival in Weimar under the direction of Calixto Bieito, highlighting both musical qualities and performance critiques.