Tod am Geburtstagstisch.

The article focuses on Barrie Kosky's humorous and non-stereotypical staging of Puccini's "Il trittico" in Amsterdam, Netherlands, highlighting unconventional musical elements like car horns and sirens used as instruments. Topics include the realistic portrayal of urban life's grittiness in "Il tabarro," contrasted with Kosky's nuanced direction that brings out the characters' emotional depth. It discusses Lorenzo Viotti's refined musical approach, steering away from harsh verismo.