Desperate times and desperate measures: false-representation and distortion of terrorism in post-9/11 superhero films.

In the wake of 9/11 there has been a marked increase in depictions of terrorism in Hollywood film. This shift has been particularly significant in superhero films. This genre of films has not historically relied upon terrorist narratives, but this article highlights contemporary ideological overlaps between terrorist and superhero narratives that explain why they have been more frequently presented together in contemporary film. In particular, both rely upon what Giorgio Agamben and other scholars refer to as a “state of exceptionality” and they feature ideological categories, such as those delineated in the work of Teun Van Dijk. This article analyses these themes using the methods of Foucauldian Discourse Analysis. The article finds the growing number of depictions of terrorists in superhero films problematic because they deny terrorists rationality or political consciousness. The article analyses the binarism that this creates, finding that the proliferation of terrorist narratives in superhero films ultimately is detrimental because it proliferates a shallow and misleading understanding of terrorism which can undermine popular understanding of terrorism. [ABSTRACT FROM PUBLISHER]