"THAT CANDY BAR AIN'T FREE": MANAGING PERFORMANCES OF MASCULINITY IN PRISON.

Purpose -- The study explores the ways hypermasculine aggression is both communicated and resisted in prisons. Design/methodology/approach - It is based on ethnographic observa-tion conducted at two correctional facilities: a mixed-security prison for young men where the author has facilitated conflict transformation workshops since 2006 and a maximum-security prison for men where she has taught a weekly writing class since 2007. Findings -- It found that performances of masculinity among both prisoners and prison guards are frequently structured around symbolic expressions of violence, but that both groups also engage in supportive behaviors that communicate the possibility of nonviolent caring male identity. Research limitations -- The study was limited to two correctional insti-tutions in one state in the United States. Conditions at other correctional facilities may lead to different types of gendered performance. Also, in the tense atmosphere of a prison, neither inmates nor corrections officers express themselves fully in the presence of an outside observer. Social implications -- The violent masculinities valued and practiced in prisons replicate in communities and institutions beyond the prison walls. Attention to the alternative masculinities practiced in correctional institutions can help scholars challenge the destructive ideologies of hegemonic masculinity and reduce its prevalence; it can influence policy makers to establish more humane conditions and procedures of benefit to individuals, families, and communities. Originality/value -- The study is of value to scholars of gender, culture, and social justice; to policy makers interested in criminal justice reform; and to activists and people of conscience seeking to reduce violence on both sides of the bars. [ABSTRACT FROM AUTHOR]