Ergodynamics of the Open Machine: Material Engagement and Modular Synthesis Performance Practice.

This paper analyses some theoretical and philosophical concerns related to modular synthesis performance practice. Taking an interdisciplinary approach drawing upon concepts from cognitive archaeology, anthropology and the philosophy of technology, the paper seeks to frame modular synthesis practice as a dance of agencies in the context of human–machine performance. In this paper, I explore how musical ideas, technical objects and performances co-evolve as part of a set of interdependent practices. To contend with this entangled human–machine relationship, I propose a consideration of how material agency helps define the direction of these creative practices, through the process of material engagement. In doing so, we consider the unique ergodynamics of modular systems, and examine the interdependent relationship that exists between the two core sites of musical performance in this practice: that of 'patching', and of live performance. Through reflective practice and theoretical discussion, this paper analyses how an entanglement between human and material agencies challenges traditionally understood notions of musical authorship and agency. [ABSTRACT FROM AUTHOR]