On the Ontic Origin of Art: Can Art Tell Us Anything about God?

Heidegger's ontological differentiation and Derrida's deconstruction of metaphysics rearranged the key players of the onto-stage, essence, being, existence, and entity (the being), which had an impact on the contemporary understanding of ontology. This paper focuses on the study of the origins of art, but also on the ontological matter to the extent to which it might be related to the matter of art. It appears that the origins of both ontology and art are at the core of this interaction. The ontological matter is connected to the issue of art in the way that questions: what if freedom, in a co-creative way, is that which is immutable and fundamental to being? What if the essence of being is the freedom of co-creating? Such an essence would always be capable of alteration (via co-creation) and transformation. It is important to note that the perception of form in art, as an experiment of the form, i.e., continuous movement and growth from the conventional to the unconventional, will also be examined. This artistic observation emphasizes the relational dynamics within a work of art, shifting the focus from its "objectivity" (an ontological perspective) to its inherent relational nature (an ontic perspective). [ABSTRACT FROM AUTHOR]