Reading Moonlight, reading the other.

This article brings a quare perspective to Moonlight's reception. We argue that many straight viewers identified the film's representational innovations but resisted its call to interrogate their preconceived notions about Black queerness. Instead, many audiences focused on others' interpretations of the film. They perceived Black viewers as homophobic, demonstrating third-person effect, and used that stance to demonstrate their own progressive politics. In addition to documenting Moonlight's reception, this study demonstrates how reading a text through the imagined reception of other viewers can shift focus from connecting with the material conditions of marginalization to proving one's own progressive bona fides. [ABSTRACT FROM AUTHOR]