Heitor Villa-Lobos i Darius Milhaud – w kręgu fascynacji twórczych, postaw i osobowości.

The article aims to examine the circumstances of Milhaud and Villa-Lobos’s encounter, who are the significant figures of 20th century French and Brazilian avant-garde. The analysis of the principle aspects of youthful inspirations, musical approaches and personalities as per Mieczysław Tomaszewski’s concept of the integral interpretation, presents the impact of cultural milieux on artists’ aesthetics, together with their apparent fascination with Carnival. Additionally, the study highlights a connection between the composers’ natures and the fantasy implied either as a category or a genre fantasia. As a result, various analogies are identified linking the composers’ life and musical language. [ABSTRACT FROM AUTHOR]