The silence of the donkeys: Sensorial entanglements between people and animals at Willowra and beyond.

An indelible memory of visitors to Willowra Aboriginal community in Central Australia is the sound of donkeys braying as they roam the village in search of sustenance and are chased by barking dogs. While Warlpiri people view donkeys as an integral part of their sonic landscape, outsiders typically perceive the animals as a noisy, land‐management 'pest' and want them removed. Recently, the arrival of a stranger in a truck towing a donkey trailer provoked concerned discussion. Talk intensified when, for a few days, the donkeys disappeared, and the silence of the donkeys echoed throughout the community. Tracing emergent social relations and mimetic connections that entangle donkeys and people in the Willowra region, this paper explores why donkeys matter to local Warlpiri, sensorially and otherwise. I contrast Warlpiri coexistence with donkeys to the treatment of donkeys by conservationists as feral animal and by capitalists as commodity. Linking the silence of donkeys at Willowra to the global trade in ejiao, a glue made from donkey hides used in Chinese medicine and cosmetics, I engage with Michael Taussig's (2019) 'The cry of the burro [donkey]' to examine differing senses of being and predicaments that the sound of donkeys evoke cross‐culturally. I conclude with a call to listen differently to other‐than‐human beings when considering multispecies assemblages. Attending to the sonic range of donkeys as an expression of their agency, I suggest that we learn from Warlpiri and heed the cries of donkeys and their global silencing if we are to ensure our mutual survival. [ABSTRACT FROM AUTHOR]