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„Bach in die Synagogen!". Erlösende Noten in Franz Rosenzweig.
- Source :
- Naharaim -- Journal of German -- Jewish Literature & Cultural History / Zeitschrift für Deutsch -- jüdische Literatur und Kulturgeschichte; Dec2020, Vol. 14 Issue 2, p209-223, 15p
- Publication Year :
- 2020
-
Abstract
- Starting with theoretical considerations on redemption in Rosenzweig's Der Stern der Erlösung, this paper highlights the connection between redemption and choral form in Church music (e.g. in Bach's Passions and in musical mass). Therefore, according to Rosenzweig, one can clearly distinguish between sacred/religious (geistlich) and spiritual/intellectual (geistig) music. Rosenzweig also writes about renewing Jewish worship through Bach's vocal music, but we are given scant hints about this. "Bach in die Synagogen!" is nevertheless important, not only as an example for interreligious dialogue, but above all as an invitation to think about redemption in the postmodern condition. [ABSTRACT FROM AUTHOR]
- Subjects :
- CHURCH music
VOCAL music
REDEMPTION
Subjects
Details
- Language :
- English
- ISSN :
- 18629148
- Volume :
- 14
- Issue :
- 2
- Database :
- Complementary Index
- Journal :
- Naharaim -- Journal of German -- Jewish Literature & Cultural History / Zeitschrift für Deutsch -- jüdische Literatur und Kulturgeschichte
- Publication Type :
- Academic Journal
- Accession number :
- 147527860
- Full Text :
- https://doi.org/10.1515/naha-2019-0009