Ice(d) Music/Cello/Bodies : Re-staging Charlotte Moorman's Ice Music (1972–2018).

1972: Charlotte Moorman walked onto a concert hall stage – nude – and played a cello made of ice until it melted. 2001: Joan Jeanrenaud re-staged Moorman's piece wearing a wetsuit and brandishing a pitchfork. 2017: Seth Parker Woods performed a 'protest' version on an obsidian-coloured ice instrument. In this article, I argue that Ice(d) Music/Cello/Bodies has become a musico-political palimpsest, a measure of the way Moorman and her art have been recuperated through performative historiography. Through a reconstruction of the historical circumstances under which Moorman, Jeanrenaud, and Parker Woods realized their performances, I show how contemporary discourses of gender and race are materialized through the physical and metaphorical resonances of human bodies in proximity to an unusual musical instrument. I explore the 'palimpsest' both as a theoretical lens that insists on texts as simultaneously overwritable and recoverable and as a methodology providing an analytic framework for broader study of avant-garde re-enactment. [ABSTRACT FROM AUTHOR]