Professional Wrestling as Moral Order.

This paper treats structuralist and interactionist perspectives as complementary, in an approach to the dynamics of professional wrestling as a social scene. Both directive or formulating aspects of culture as it is specified for social life and the creativity of human agents in negotiating such constraints from the viewpoint of their particularistic interests are emphasized in an examination of the confirmation and negotiation of identities, the clash and resolution of moral meanings, the calculated transgression of legal tradition, the location of the charismatic hero, and the ritual importance of disorder and crisis in wrestling. As such, the paper is offered as a contribution to an understanding of the sources and movement of meanings in ritual and dramatic forms. [ABSTRACT FROM AUTHOR]